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Fiery World - Book 2 (1934) - 17:
17. Rhythm is the progenitor of cooperation. From hoary antiquity people have understood the significance of rhythmic choirs, of musical movements; thus has the consciousness accumulated knowledge about the impelling force of collective labor. People knew long ago that rhythm kindled collective fires and helped in avoiding irritation and disunity. It affirmed identical aspirations, therefore music is the sign of unity before collective work. It is a pity that modern music is so often lacking in rhythm. Perhaps it serves as the beginning of many spiritual ulcers, but the question of harmony is unusually complicated. Lack of rhythm is disunity, but crude rhythm is stupor. Thus only a fiery consciousness will prompt the refinement of rhythm. One may ponder over many things, but we shall always return to the fiery understanding. The abode of Agni is opened not by reasoning but by the harmony of rhythm. Precisely as a vessel sometimes is opened not by force but by rhythm. Only the true rhythm carries us forward and preserves us from delay. Yet we know all the detrimental result of delay, as in movement, so also in spirit. It is inadmissible to have a broken rhythm, at times retarded and at other times accelerated. Thus an enormous and useless expenditure of energy takes place. He will not retreat who has begun to advance in fiery rhythm. Precisely this rhythm saves one from sorrowful ponderings and leads one forward in spirit; therefore let us not limit the effectiveness of the rhythm by external motion only, let us introduce it into spiritual life. AUM (1936) - 384:
384. Besides investigating psychic energy by the use of color, make tests of it with sound and aroma. It is possible to obtain indicative reactions to music; furthermore, observe both the effect of distance and of the most consonant harmonies. Much is said about the influence of music upon people, but almost no illustrative experiments are carried out. One may observe the influence of music upon people's moods, but that will be commonplace. Indeed, it is assumed that gay music communicates joy, and sorrowful - sadness, but such deductions are insufficient. It may be ascertained what harmony most closely adjoins the psychic energy of man, what symphony can have the strongest quieting or inspiring influence upon people. Different musical compositions need to be used in tests. The very quality of harmonization will give the best indications about the paths of sound and the life of man.
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