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Agni Yoga (1929) - 126:
Sometimes the destiny of entire nations can be expressed in a simple formula. But people want to appropriate for themselves what is meant for the larger group. And the given formula is then crumbled like a piece of sculpture under a crude hand. This crudeness of individual limitation is a most harmful contributor to the dissolution of valuable opportunities. Heart (1932) - 51:
51. Sometimes people say, "I was so moved by my dream that my heart is even in anguish." The heart-anguish comes from not evil dreams but from straining for luminous desires. Heart-anguish primarily fills our being with the substance of power. Naturally, the sculpture of Akasha is not always connected with heart pangs, but a feeling of anguish reveals, in any case, tension and cooperation with the Primary Thought-Frame. Thus, one need not fear anguish as an evil sign. Supermundane - The Inner Life - Book 1 (1938) - 40:
In books one can find some of Our names. They are very solemn ones. One can read about Manu, or about the Bodhisattvas. Remember that some nations are in need of lofty designations, but We are simply Servitors of Light and We revere Hierarchy. Our first call is for perfectment, not for titles or high rank. As it pertains to Hierarchy, this expression "titles and high rank" should not be understood in the earthly sense, in which people express their love for all kinds of ranks and distinctions. We serve the infinite Hierarchy. We accept leadership, not as a distinction, but as an immutable necessity. Such responsibility should be the foundation of all human communities. We do not attach importance to titles, for during Our many different lives We have had a great number of distinctions and titles in different languages. Many of these titles have been completely erased from human memory. Who can name the resplendent rulers of Atlantis? Only amidst the marshes of Tsaidam can one see the radiant images of former cities. Urusvati remembers the structures there, and the sculpture of the Great Bull. Supermundane - The Inner Life - Book 1 (1938) - 42:
42. Urusvati has developed her musical talent beautifully. This proficiency is achieved as the result of much labor in other lives. According to the Teachings of Plato, music should not be understood in the narrow sense of music alone, but as participation in all the harmonious arts. In singing, in poetry, in painting, in sculpture, in architecture, in speech, and, finally, in all manifestations of sound, musicality is expressed. In Hellas a ceremony to all the Muses was performed. Tragedy, dance, and all rhythmic movement served the harmony of Cosmos. Much is spoken about beauty, but the importance of harmony is little understood. Beauty is an uplifting concept, and each offering to beauty is an offering to the equilibrium of Cosmos. Everyone who expresses music in himself sacrifices, not for himself, but for others, for humanity, for Cosmos.
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