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Leaves of Morya's Garden - Book 2 - Illumination (1925) - 2.5.6:
Small as well as important events strike upon the aura, as upon musical strings. The growing aura has its advantages, and these Aeolian wings multifariously resound. The burden of the world plays its symphonies upon them. One cannot say that a man illumined by the aura is motionless. The outer shell of the aura is like a surging sea. What a talk for the scientist - to trace the nourishment of the aura from within and the reflection from without! Verily a world battle! Agni Yoga (1929) - 149:
149. Today Urusvati heard the music of the spheres, the rhythm that strengthens the realization of evolution. It is not the theme precisely, but the rhythm that is the essence of the music of the spheres. And it is the degree of purity of the sounds that determines the quality of the interplanetary conduit. These sounds are heard on many far-off worlds, but on Earth they can be heard only at high altitudes, and only by those who have a musical ear. However, the ear that listens for the music of the spheres must be protected from the wind. Agni Yoga (1929) - 192:
I also wish to remind you of the importance to Agni Yoga of creative work. You were bidden to compare two different interpretations of a musical composition, and your spirit understood the differences in their effect. Thus is consciousness raised by the touch of Truth, and one more abstraction becomes a reality. And how beautiful is the realization of constant testing! Therein lies motion. Can a Yogi of Fire succumb to inactivity? Agni Yoga (1929) - 306:
306. The Breath of the Mother of the World, the Giants bearing the burden, and the Redeemers who have accepted the Chalice - these three images were born close to the one law. The accumulation of spatial psychic energy causes shocks in parts of the planet. Those organisms that are attuned to the Breath of the Great Mother resound in response to the explosions of spatial bodies. Can such shocks be regarded as an advantage? It is precisely as when, for the performance of a superb musical creation, one chooses perfectly tuned instruments. Of course, when such instruments are few, the pressure of the currents will fall upon just those few. It is not necessary to prove that it is better to accept the burden of the world than to be detached from the activities of life. Agni Yoga (1929) - 446:
One can see that the main Plan is unvarying. When it is necessary for Us to take some time to recoup Our forces, do not assume that We are about to retreat. It should be understood that We will accelerate events as much as Our forces allow. You must just help Us with a right attitude. Understand that no orchestra conductor can properly produce a symphony if the musical instruments are not tuned. Besides, irritation is but a step back into lower matter. It is better to engage yourselves in useful work. Thus, you will be able to bring closer the predestined events. Indeed, there are certain paths on which one can proceed only with Us. Agni Yoga (1929) - 652:
652. Harmonious sendings bring much usefulness, especially when one dominant tone can be followed, as for a musical key. A primary note may even be struck with a tuning fork. A magnet, a tuning fork, a ring, and many common devices easily enter into the daily life of the young yogis. The clearing away of accumulations of debris requires the use of shovel and broom. One should not fear everyday objects - as below, so above. Hierarchy (1931) - 50:
50. United sendings bring much usefulness when one tone can be maintained, as in a musical key. One may even sound a leading note with a tuning fork. A magnet, a tuning fork, a ring, and many other common adaptations easily enter into the daily life of young yogis. The clearing away of accumulations of dust requires a shovel and broom. One should not avoid common objects - as above, so below! It is wise to become accustomed to there being no rest or end. But a single realization of Our Brotherhood and of Hierarchy, already directs the traveler along the shortest path to Infinity. Heart (1932) - 444:
444. Among the sacred pains there is a certain type which is called, "The Vina of the Creator." As chords on a musical instrument, so speed the pains of the centers of the throat, the shoulders, the elbows, the extremities, the knees, and other centers. Thus is the heart attuned. Undoubtedly, the contact of the heart with the Highest remains the only refuge of humanity. Other Yogas have corresponded to different cosmic conditions. The heart is set out like an anchor in a storm, and it is not difficult to approach the fiery Yoga of the Heart. First, one should sense the great battle and the threatening peril which gathers over Earth. Second, one should regard one's own heart as a refuge. And third, one should be affirmed upon Hierarchy. It would seem that these conditions are not difficult. But so often we prefer the deviations, and even prefer deceit, rather than to turn to the simplest ways. True, tension of the heart is needed, and not without cause was the heart called, "The Great Prisoner." Fiery World - Book 2 (1934) - 17:
17. Rhythm is the progenitor of cooperation. From hoary antiquity people have understood the significance of rhythmic choirs, of musical movements; thus has the consciousness accumulated knowledge about the impelling force of collective labor. People knew long ago that rhythm kindled collective fires and helped in avoiding irritation and disunity. It affirmed identical aspirations, therefore music is the sign of unity before collective work. It is a pity that modern music is so often lacking in rhythm. Perhaps it serves as the beginning of many spiritual ulcers, but the question of harmony is unusually complicated. Lack of rhythm is disunity, but crude rhythm is stupor. Thus only a fiery consciousness will prompt the refinement of rhythm. One may ponder over many things, but we shall always return to the fiery understanding. The abode of Agni is opened not by reasoning but by the harmony of rhythm. Precisely as a vessel sometimes is opened not by force but by rhythm. Only the true rhythm carries us forward and preserves us from delay. Yet we know all the detrimental result of delay, as in movement, so also in spirit. It is inadmissible to have a broken rhythm, at times retarded and at other times accelerated. Thus an enormous and useless expenditure of energy takes place. He will not retreat who has begun to advance in fiery rhythm. Precisely this rhythm saves one from sorrowful ponderings and leads one forward in spirit; therefore let us not limit the effectiveness of the rhythm by external motion only, let us introduce it into spiritual life. Fiery World - Book 2 (1934) - 163:
163. One should not be distressed in carrying out the Indications of Hierarchy. Many fruits become bitter from vexation. In many things it is necessary to draw close to higher understanding. For example, one should conquer the feeling of distance. Certainly it does not exist for the spirit, and if we shift our consciousness into the spiritual sphere then our feeling also will shift correspondingly. In other words, it will become broadened. And in addition, communion with Hierarchy gives, as it were, a new musical key to all our actions. Thus let us be closer, still closer, so that no viper may creep in. AUM (1936) - 384:
384. Besides investigating psychic energy by the use of color, make tests of it with sound and aroma. It is possible to obtain indicative reactions to music; furthermore, observe both the effect of distance and of the most consonant harmonies. Much is said about the influence of music upon people, but almost no illustrative experiments are carried out. One may observe the influence of music upon people's moods, but that will be commonplace. Indeed, it is assumed that gay music communicates joy, and sorrowful - sadness, but such deductions are insufficient. It may be ascertained what harmony most closely adjoins the psychic energy of man, what symphony can have the strongest quieting or inspiring influence upon people. Different musical compositions need to be used in tests. The very quality of harmonization will give the best indications about the paths of sound and the life of man. Brotherhood (1937) - 168:
168. Rarely do people hear a cry for help and pass by without a heart tremor. Perhaps a brutalized heart will not lend a hand, but still it will be shaken. A cry for help may be expressed in words or in a single sound, but its heart-rending meaning will be the same. The cries of space likewise may be fragmentary and, according to the meaning of the words, insignificant, whereas their inner meaning is of importance. It need not be thought that the echo of distant thoughts has lost significance; even monosyllabic calls have effect. Sometimes a series of faces rushes past; they may not be familiar, still various frames of mind are felt. From such occurrences there may be built up a sensing of entire countries. One may understand where people are debating, where they are sorrowing, where they rejoice - such signals teach attentiveness. Not only complex reflections of events but also sometimes a solitary exclamation may give a feeling of the general moods. As on the strings the key of the entire musical composition is fixed by one chord, so in space each chord has a significance. On the field of battle a trumpet call decides the fate of an entire army. No one says that one should not harken to the distant signals. Many trumpets are sounding on Earth. Brotherhood (1937) - 292:
292. Treatment by means of music is already being applied, but the effects are not always perceptible. The reason is that it is not customary to develop perception of music. From childhood one should be accustomed to assimilating the beauty of sound. Musical faculties are in need of education. It is true that in each man has been implanted an inclination for sound but without cultivation it remains asleep. Man ought to hear beautiful music and song. Sometimes a single harmony will awaken forever a sense of the beautiful. Yet great is ignorance when the best panaceas are forgotten in the family. Especially , when the world is quaking from hatred, it is indispensable to make haste in opening the ears of the young generation. Without realization of the significance of music it is also impossible to understand the sounding of nature; and, of course, it is impossible to think about the music of the spheres - only noise will be accessible to the spirit of the ignorant. The song of waterfall or river or ocean will be only a roar; the wind will not bring melody and will not resound in the trees as a solemn hymn. The best harmonies vanish for the unopened ear. Can people accomplish their ascent without song? Can Brotherhood stand without song? Brotherhood (1937) - 590:
590. It is essential to accustom oneself to subtle perceptions. Indeed, one should assiduously sharpen one's senses. Sometimes people try to accustom their ear to certain musical chords at varied distances. Even such a simple experiment yields unexpected observations. The very same chords will be perceived differently at various distances, which means that something exists, which intrudes and alters the quality of sound. If there can be changes even in such an ordinary perception, then how many reactions take place during subtle perceptions! People do not even think about them. Supermundane - The Inner Life - Book 1 (1938) - 42:
42. Urusvati has developed her musical talent beautifully. This proficiency is achieved as the result of much labor in other lives. According to the Teachings of Plato, music should not be understood in the narrow sense of music alone, but as participation in all the harmonious arts. In singing, in poetry, in painting, in sculpture, in architecture, in speech, and, finally, in all manifestations of sound, musicality is expressed. In Hellas a ceremony to all the Muses was performed. Tragedy, dance, and all rhythmic movement served the harmony of Cosmos. Much is spoken about beauty, but the importance of harmony is little understood. Beauty is an uplifting concept, and each offering to beauty is an offering to the equilibrium of Cosmos. Everyone who expresses music in himself sacrifices, not for himself, but for others, for humanity, for Cosmos. Supermundane - The Inner Life - Book 1 (1938) - 42:
You know about the special musical instruments that are in Our possession. Urusvati has heard them. The refined scale and rhythm of Sister Oriole should be acknowledged as the highest harmony. Often such singing has served to bring peace to the world, and even the servants of darkness have retreated before its harmonies. One should learn how to develop one's own musicality by all possible means. Supermundane - The Inner Life - Book 1 (1938) - 115:
It is regrettable that most people do not realize how much of their strength is wasted in attempts to depress the mood of those intimately connected with them. Some day people will be censured for trying to spoil the mood of others. It is reprehensible enough to break a musical instrument, but how much more valuable is the human mind! It is impossible to restore a broken mood.
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