|
Leaves of Morya's Garden - Book 1 - The Call (1924) - 181:
181. Pure music helps the transmission of the current. We pray by sounds and by symbols of Beauty. The heart and mind do not conflict when they sail the Ocean of Creative Labor. And the wings of the bird of the spirit, atremble, will soar upon the breeze of harmony. And the steel of the word flashes in the furnace of Truth. Leaves of Morya's Garden - Book 2 - Illumination (1925) - 2.4.7:
2.4.7. The refraction of rays yields sounds that enter into the symphony of the music of the spheres. One may picture their crystalline quality of subtleness together with the power of the whirlwind. Leaves of Morya's Garden - Book 2 - Illumination (1925) - 2.8.4:
A piece of music played in one tonality evokes distaste. Therefore, We bid you to understand the practicality of co-measurement. But if you notice a long conversation about an empty shell, arrest the attention of the speaker upon the impracticability of naught. With many people this discipline is indispensable. Leaves of Morya's Garden - Book 2 - Illumination (1925) - 2.8.10:
Like the music of the spheres, the all-existing resounds along the ways of Boundlessness and Non-recurrence. Leaves of Morya's Garden - Book 2 - Illumination (1925) - 3.4.2:
3.4.2. If we begin to decompose matter, we see that the liberated atoms begin to arrange themselves according to the basic tone, and, escaping into the ether, they form a rainbow that resounds with the music of the spheres. New Era Community (1926) - 26:
I point out also the significance of the music of the Pythagoreans at sunrise. Light is the best purifying filter for sound. Only the savagery of humanity could lock up sound in the dust of darkness. New Era Community (1926) - 116:
116. Shield children from everything false; guard them against worthless music; protect them from obscenity; protect them from false competitions; protect them from affirmation of selfhood. The more so, since it is necessary to inculcate a love for incessant learning. The muscles must not gain the upper hand over mind and heart. What sort of heart takes a liking to blows of the fist? New Era Community (1926) - 153:
A true musician does not think about each finger's calling forth a sound; only a pupil considers which fingers are convenient to use. The true co-worker does not think about the intended application of the qualities of labor. The music of the spheres is blended with the song of progress of labor. New Era Community (1926) - 224:
224. It has been repeated again and again - know how to find joy in eternal labor and in eternal vigilance. You have heard music and singing in Our Community. These must be looked upon as a part of the labor. Usually, under the influence of sounds people fall into psychic inaction and are even incapable of creating forms. This results from the custom of understanding repose as torpor. One can become accustomed to making use of art as a condensation of forces. A work of beauty can produce not only a heightening of activity but also a sharpening of forces. But one should accept this fact consciously and learn to make use of emanations of creativeness. Agni Yoga (1929) - 21:
Tactica Adversa ensures that the clanging bells of humanity are not stilled. The music of the spheres needs accompaniment, but those slanderers maddened by envy imagine that their howls densify the atmosphere so that the symphonies of Eternity cannot penetrate through to Earth. However a good householder finds a use for any and all dross. So, let the torches of slander light the path of unswerving achievement. Agni Yoga (1929) - 81:
81. Can thought thunder? The phenomenon of the echo is an example. Thought, like sound, expands in magnetic waves. And the expression "the thunder of thought" is not an exaggeration. Precisely, the nature of thought must be investigated. For instance, is it possible that thoughts of a certain quality and intensity can influence plant life? How do animals react to certain thoughts? And finally, how do thoughts affect "sir man"? How does thought act as an element in chemical compounds? Would it not be advisable to test thought with litmus paper? Could thought not rival virulent poison or music in its power? In general, thought must be investigated as a living factor of existence. Thus it will be possible to build a bridge between the psychic and the material from psycho-technics to dynamics, and even to astrochemistry. Thus should be understood the working of space. Agni Yoga (1929) - 114:
Does the music of the spheres signify the victory of human presumptions? Or does it hail the purification of forgotten Truth? There is a prophecy that reminds us of the condemnation and then the purification of a sacred city. Agni Yoga (1929) - 149:
149. Today Urusvati heard the music of the spheres, the rhythm that strengthens the realization of evolution. It is not the theme precisely, but the rhythm that is the essence of the music of the spheres. And it is the degree of purity of the sounds that determines the quality of the interplanetary conduit. These sounds are heard on many far-off worlds, but on Earth they can be heard only at high altitudes, and only by those who have a musical ear. However, the ear that listens for the music of the spheres must be protected from the wind. Agni Yoga (1929) - 421:
421. During the rituals of saturating the teraph, as you know, chants were intoned, combinations of strange words often devoid of meaning. However, it is not the spoken form, but the rhythm that is important. The music of the spheres consists not of melodies but of rhythms. When the developed spirit knows the sounds of the spheres, it will understand the power of rhythm. So, while saturating the teraph the will and rhythm are the most important. It matters not with what words the mission is entrusted to the teraph. Important are the succession of the layers of meaning, the sincerity of the direct transmission, and the rhythm, which corresponds to Mahavan. Only the lesser consciousness needs ready-made commands. The developed consciousness can improvise words in accordance with the flow of psychic energy. Agni Yoga (1929) - 568:
Who, then, can sense the beauty of Cosmos? Whoever has heard the music of the spheres even once will understand the earthly imperfections caused by the present condition of humanity. One must consciously fight against these attacks of anguish, though understanding their inevitability. Infinity - Book 1 (1930) - 5:
5. Have you thought about the spirit-creativeness on the future planets? Is it possible that all began with you and will end with you? Does any process cease? The chain of worlds is endless; where one planet crumbles another one is born. Truth wrestles with death, and when skeptics say, "It is the end," We say, "It is the beginning!" Understanding of the manifested evolution will reveal the triumph of Truth. Shall we not share in the triumph? Shall we seal our vessels still empty? Shall we reject the transmission of the power of consciousness? When I say utilize the manifested rays, when I say fill the chalice of knowledge, when I say design the best creations through straight-knowledge, when I say strength lies in the limitlessness of knowledge - it means lend an open ear to the cosmic whirls, it means search the radiance of Fohat, it means manifest understanding of the music of the spheres. Infinity - Book 1 (1930) - 89:
89. The indication affirming creativeness on the far-off worlds is in conformity with the world tasks. The world tasks are like fires of joy, and thus the creative task is accomplished. One more task for Us is the molding of the human spirit, finding helpful rays for humanity which will shape and develop beautiful abilities of the spirit. The world tasks are affirmed by the tension of the cosmic fires, and the joy of spatial achievements reverberates as the music of the spheres. Hierarchy (1931) - 11:
11. To the Brothers of Humanity is assigned the construction of the life of the planet; and they maintain the Command of the great Mother of the World. The music of the spheres resounds when the current of joy is in motion. The music of the spheres fills space when the heart is stirred to tremor by the cosmic force. The Heart of Our Brotherhood safeguards for humanity the path to the General Good. Hierarchy (1931) - 74:
74. Upon investigation, the quality of thought belongs to the category of subtlest energies. It is impossible to measure the fluctuation of thought, therefore We have established the probation of disciples by the refinement of thought. Every three years We give the disciple the possibility of expressing himself in regard to the same event. Only according to these dates can one see the fluctuation of selfhood, cooperation, patience, and devotion. Similar experiments can be applied to other manifestations of energies; the more so since people have completely forgotten about probations. One can also test oneself, directing one's attention to old objects and observing the reaction of the influence of remembrance. Likewise one can test oneself upon flowers, music, upon a book read long ago. One can scientifically observe the influence of surroundings upon an object long since familiar. How many steps could be counted forward or backward! Besides, one can ponder why a step crossed for the second time is always much more difficult. Hierarchy (1931) - 219:
219. The language of the subtle body is expressed through the saturation of the Brahmarandhra center; other than this, there is no need to strain oneself in pronouncing all letters. The sound of the first letter is sufficient, because the rest is understood by the heart. Likewise, the music of the spheres does not require melody, but is based upon rhythm, for the rest resounds in the heart. Precisely the heart is the link between the worlds, and only the heart can respond to the heart of the Lord and to the entire Hierarchy. One may be bereft of sight and hearing, but the heart will be the best substitute, and even a more subtle expresser of the essence. Heart (1932) - 66:
66. You know about the effect of human emanations upon plants. You also know about the effect of color. Now it is necessary to recall the influence of sound The similarity of these effects is significant. If, for the expansion of the potencies of a plant, an open, bright-sounding heart is necessary, then, in the effects of sound, consonance and all the dominant combinations are necessary. A dissonance cannot strengthen the current of energy. Dissonances, as an antithesis, may be useful in their effect upon people for strengthening the rhythm of consciousness; but with plants, where consciousness is at its minimum, dissonance seems to be only a retarding condition. With minerals, dissonance may even be a cause of disintegration. Verily, a rose is a symbol of consonance, and the dominant of the radiation of the rose is linked with the glow of the heart. Not a few experiments have been made with sound on plants, but the ancients believed that the finest flowers grew by the temples where there were numerous harmonies of voice and music. Heart (1932) - 126:
126. You do well to discern the variations of expressions. Precisely in these is contained the music of the spirit. All the shades of speech are not incidental! How much psychic flame is coursing through the nerves, giving color to speech! Heart (1932) - 198:
198. To desire means to find the gates to the Subtle World. But it is difficult for people to learn to desire. They cannot bring their feelings into equilibrium and so they cannot create unwavering, unconquerable desire. Verily, desire is a creative lever in the Subtle World. This power came from the Highest World, but it also demands the clarity of the Highest World. When We direct you along the line of Hierarchy, We prepare you for this sovereignty, the clarity of desire. Amidst the intercrossing of currents of the lowest sphere it is not so easy to detect the purified desire that is like an arrow. One can conquer the pressure of the earthly atmosphere by striving to the Highest; therefore Hierarchy is the sole outlet. The flaming heart, which can reduce to ashes the unnecessary debris, also guides one to Hierarchy. From one's own experience, one can notice how the external becomes the inner, the inalienable. First the Yogi hears the music of the spheres, but later, by way of the heart, he himself begins to reverberate with this harmony of the Highest World. But for this a flaming heart is needed. Heart (1932) - 267:
267. You are familiar with the music of the spheres, the spatial bells, and the reverberating strings. It will be asked why, then, do not a multitude of people know these manifestations. But, then, why is a multitude of people satisfied with false intonation, absolutely refusing to realize the nuances of sound? Whereas even the rustle of tearing paper rends space, but the majority of persons do not even notice it. So it is with odor. The aromas of the Subtle World often penetrate to the physical world, but people primarily do not wish to notice them. Even the smoke of a conflagration is noticed by people only when it already chokes their throats. Not only insensibility but immobility as well makes the people blind and deaf. They do not possess even basic imagination; hence they distort the entire meaning of existence. Thus, for these shallow-minded ones the magnet of the heart is pure nonsense. Heart (1932) - 394:
394. "And at evening he laid the thought upon his heart, and at morning he pronounced his decision" - has been said of the Sage of the Mountain in Persian annals. For many people this is simply a quaint saying. Yet an entire Teaching is contained precisely in the saying, "Laid the thought upon his heart." Nowhere can the thought be transmuted except upon the altar of the heart. Many readers of the book Heart will wonder whether they have learned something new and applicable. Such people demand a pharmacist's prescription to exalt their hearts with patent pills. For them the command of placing a thought upon one's heart is nonsense. It is difficult for them to dissect thought in their disturbed consciousness. And it is impossible for them to discover the heart in the convolutions of their minds. But he who has already sensed the altar of the heart will also comprehend the discipline of spirit. We send calls of the heart to those friends who meet upon the crossroads of the East. We send calls of unity to those whose hearts have already sensed the music of the spheres. For him to whom the spheres are void the heart is only a sack of blood. Heart (1932) - 522:
522. The language of the Subtle World has no need of words, although it can possess them. It is expressed in straight-knowledge, in the transmission of the subtlest feelings. Thus, the Subtle World must not disturb the music of the spheres by disorderly tonalities. We must not be astonished at this, for even in the corporeal world harmonious hearts mutually transmit a great deal through the language of the heart. Let this language be a constant reminder of the possibility of the Subtle World.'' Fiery World - Book 1 (1933) - 73:
73. Sound and color are among the principal fiery manifestations. Thus the music of the spheres and the radiance of the fires of space are the highest manifestations of Fire. Hence, it is impossible constantly to hear the sounds of the spheres or to see the scintillating fires. Such frequency of emotions would separate the earthly body from the fiery one to too great an extent. Thus the equilibrium so needed for Eternity would not be created. It is true that in consciousness we should separate our four bodies in order that their functions may be divided. The disturbance of equilibrium leads to premature destruction of the lower body. Fiery World - Book 1 (1933) - 110:
110. Cognizance of fiery reactions is divided in accordance with the senses. The first impression is that of vision, with all its fiery diversity. Then hearing is added, with the music of the spheres, bells, and the chords of nature. Then comes the refinement of touch, with the sensations of rhythm, of heat and cold. The most difficult of all are the sensations of smell and taste. Yet Urusvati knows the meaning of scenting a man at a remote distance. Now Urusvati also knows something else that is very difficult to sense the taste of a metal in the Subtle World, which is already an extraordinary subtlety. But one should not only possess the power to discern such sensations, one should know how to observe them. Such discernment is very rare, but by passing beyond the three-dimensional boundary it becomes attainable. Fiery World - Book 1 (1933) - 157:
157. Toward what shall we strive, to the finite or the infinite? The earthly sojourn is of short duration, the Subtle and Mental Worlds are of fixed date, but the Fiery World is beyond dates; this means that one should strive toward it. In the worlds of limited sojourn the fiery armor is acquired. The earthly world is like an impasse - either ascent or destruction. Even the Subtle World will not satisfy a striving spirit; all the other lives are only preparations for the all-encompassing Fiery World. A weak spirit is terrified by the distance to the Fiery World, but the spirits in which ascent is innate can only rejoice. The physical forms are beautiful, but the music of the spheres is incomparable. Yet beyond this subtle illumination is displayed the Fiery Grandeur. Ozone here on Earth appears as a messenger from Above, yet it is the grossest manifestation of the atmosphere. The earthly azure is lofty, but it is like wool compared to the fiery radiance. Those who have entered the Fiery World cannot breathe the air of Earth. Nirvana is actually fiery ascent. In every Teaching we find a symbol of this fiery ascent. St. Sergius received the fiery sacrament. Thus, graphically is the sign of the higher possibility given. The time is coming and is already near when people will not know how to accept the fiery possibilities. In their confusion they will forget that fiery communion has been ordained. They will excel in counteracting, instead of being filled with, the power of Fire. Therefore I reiterate and remind about the necessity of fiery union. Many dangerous chemical combinations will cause consternation. Precisely the encumbrances in the Subtle World can indicate how sick the planet is. Since this danger has become obvious, it is Our duty to forewarn. Fiery World - Book 1 (1933) - 198:
198. People frequently distinguish fragments of the music of the spheres, just as they do the vibratory differentiations of light, and only a false attitude toward everything prevents them from concentrating on this. Thus begins the charmed circle of insincerity. The manifestation of reality falls into the category of the inadmissible. It is sad to see how people are ashamed of their best manifestations. Thus they not only violate their own significance but also become creators of ugliness in the Subtle World. Those people who have rejected reality bear the lasting stigma of a lie. Fiery World - Book 1 (1933) - 201:
201. Not only by song and the rhythm of music but by every machine a vibration is created which contacts fiery energies. So, also, each tension, or rather, shock, is a conductor of the very same manifestations of Agni. Hence, one must become accustomed to distinguish and recognize the spark in each tension. One need not emulate the morbid people who avoid tension. One should welcome each fiery vibration as a purifying principle. What ordinary people regard as a calm life is nothing but extinction of fire. They have even invented entire systems of extinguishing fire from early childhood. Fiery World - Book 1 (1933) - 330:
330. Music is needed for all fiery sowings. One should choose good music; it unifies our emotions. But one should not absent-mindedly let the music just pass by one's ears. People often have before them a great phenomenon, and yet they fail to hear the loudest and fail to perceive the brightest. People often isolate themselves completely from their surroundings, but fail to realize that precisely this state is very valuable if wisely induced. Fiery World - Book 1 (1933) - 355:
355. Rhythm or melody? Correctly speaking, it is rhythm which creates vibrations. As you know, the music of the spheres consists primarily of rhythm. The Fire is in the rhythm, but not in the context of the melody. Of course there may be happy coincidences when melody becomes rhythm. One should thoroughly understand the connection between rhythm and Fire. Fiery World - Book 2 (1934) - 4:
It is quite just to call the music of the spheres the Song of Fire. Are not the fiery vibrations concordant? And is not this resounding nurtured with radiations? Thus when we call Agni "the Keeper of the Gates" and understand the unutterable link, then we too resound. One may resound also here, if only for a moment, then all earthly habits become obsolete. Thus one must affirm in the heart all sparks of the Fiery World. May the earthly habits be replaced by the Fiery Truth. Fiery World - Book 2 (1934) - 17:
17. Rhythm is the progenitor of cooperation. From hoary antiquity people have understood the significance of rhythmic choirs, of musical movements; thus has the consciousness accumulated knowledge about the impelling force of collective labor. People knew long ago that rhythm kindled collective fires and helped in avoiding irritation and disunity. It affirmed identical aspirations, therefore music is the sign of unity before collective work. It is a pity that modern music is so often lacking in rhythm. Perhaps it serves as the beginning of many spiritual ulcers, but the question of harmony is unusually complicated. Lack of rhythm is disunity, but crude rhythm is stupor. Thus only a fiery consciousness will prompt the refinement of rhythm. One may ponder over many things, but we shall always return to the fiery understanding. The abode of Agni is opened not by reasoning but by the harmony of rhythm. Precisely as a vessel sometimes is opened not by force but by rhythm. Only the true rhythm carries us forward and preserves us from delay. Yet we know all the detrimental result of delay, as in movement, so also in spirit. It is inadmissible to have a broken rhythm, at times retarded and at other times accelerated. Thus an enormous and useless expenditure of energy takes place. He will not retreat who has begun to advance in fiery rhythm. Precisely this rhythm saves one from sorrowful ponderings and leads one forward in spirit; therefore let us not limit the effectiveness of the rhythm by external motion only, let us introduce it into spiritual life. Fiery World - Book 2 (1934) - 66:
66. One must not think that the sounds of the far-off worlds will be something hard to imagine. First of all they will resound, because the current creates vibration. One should accustom oneself to such sounds. One may understand that the so-called music of the spheres rather often comparatively borders on the sounding of the far-off worlds. In any case, every music of the spheres is already a bond between the worlds, because this vibration reaches unaltered the most distant planets. Fiery World - Book 2 (1934) - 283:
283. A subtle sound is like the language of the Subtle World. It is apprehended without coarse earthly vibrations, just as the music of the spheres is attuned to our subtle vibrations; and thus is received a sensation of the beautiful. Fiery World - Book 2 (1934) - 326:
326. In the simplest handiwork, and in music, one can have most instructive experiences. Sometimes one finger alone is not firmly applied at the correct place and thus the full tone is lost; but even then such a misapplication does not at all mean that the fault is irreparable. Some centers harmonize quickly, but others, for many reasons, require far more protracted cooperation. Patience, that great constituent of success, will be tested in such adoptions of the centers. Often, precisely the slower adaptations serve for the good; they not only combine the centers, but, as it were, they unite energy to the future. Thus patience is an adornment of the heart. Each one who is inexperienced in patience will not know how to adapt himself to the Fiery World. Fiery World - Book 3 (1935) - 544:
544. Is it not indicative that music over the radio does not charm snakes? There is a great number of such proofs in small examples. At the root of it all is the very same psychic energy. Everywhere these manifestations can be observed. Fiery World - Book 3 (1935) - 549:
549. Experienced telegraphers can, without employing the voice, talk to each other by scarcely noticeable touches. So too in the Subtle World, the voice is not needed and is replaced by swift thought, but sound does not leave the World. What could be more beautiful than the music of the spheres? And people forbid conversation during music. They are right - the sound is so subtle that the noises of speech can produce the most irritating dissonances. The Subtle World in its higher spheres sounds indeed beautifully. When it is so burdensome on the Earth, thought can lift itself up to the Supermundane Spheres. AUM (1936) - 4:
4. If earthly substances act so diversely on different people, then how much more varied is the reaction on them of the highest energies! Long ago people understood that for the proper reception of these rays it is needful to bring the organism into a harmonious condition. For this purpose the Wise Ones have indicated the power of sacred invocations. Aum, or phonetically Om, was such a synthesis of sonant strivings. Prayer and inward concentration are excellent attainments which render healthful the state of the spirit. Each one in his own way has contributed a manifestation useful to spiritual concentration, whether he sought the solution in music, in song, or in the dance; there have even been crude methods leading to intoxication and frenzy. There were many deviations and errors, but fundamentally man was striving to create a particularly exalted state of mind, promoting the reception of the higher energies. AUM (1936) - 18:
In place of mistrust and denials, let the chords of the distant worlds resound. Each perception of voices at a distance is already a conquest of space. Some know the music of the spheres and the song of space. Few have approached this step, nevertheless these transfigurers of life do exist. Let us guard such heralds of the far-off worlds. AUM (1936) - 79:
79. Aum resounds not as a name but as a concept. The cognizing one will realize the sounding which is consonant with the music of the spheres. Rarely is it possible to hear this resonance of the spheres with the earthly ear, but the ignoramus takes it only for a noise in the ear. Thus let us walk there where sounds Infinity itself. AUM (1936) - 137:
People cannot approach them in the earthly state, yet in the subtle body the best spirits have already approached such planets and brought back remembrances about their surface structure, coloration and inhabitants. Such experiences are rare, still they occur. They can reinforce the consciousness about infinite reality. In addition to the three invisible worlds it is necessary to recognize inhabited worlds. It is necessary to understand these oceans of thought which generate the music of the spheres. Thus let us diligently direct our thought to the distant friends and co-workers and Protectors. The thought that distant worlds are populated is not a supernatural fantasy. Man will firmly tread the earthly path when knowing about the surrounding magnitude. AUM (1936) - 204:
204. Whoever can hear the music of the spheres can also hear the wailings of space. Do not regard such wailings as abstract symbols, they are borne from both the Subtle World and Earth. Humanity may be asleep, but its heart can wail and moan. Many hearts are asleep in daily life, but when the mind does not interfere and consciousness awakens, the heart stands before reality. Not without reason was it said that people sleep by day but are vigilant by night. AUM (1936) - 204:
It is necessary that one be prepared to listen not only to the majestic music of the spheres but also to the cry of animal terror. It is impermissible to know only one side of existence. Only cognition of the whole Universe will give the affirmation of victory. The unwise are afraid of every darkness, but for him who realizes, even darkness is a contrasting background for Light. He who knows about the world of Light is not afraid of darkness. AUM (1936) - 204:
Thus, it is necessary to appreciate the wondrous music of the spheres, and to understand that on this step are also heard the lamentations of the world. AUM (1936) - 220:
220. One should also pay attention to infantile eclampsia. It indicates development of the nerve centers. During such a state it is necessary to maintain special quietude. By nature such children are highly gifted, but the shield of the body must be strong. It is necessary to regard such manifestations as a seeming overfilling of the Chalice. Not without reason was this called in antiquity a "divine visitation." During such attacks, complete quiet of all surroundings, as well as warmth, the odor of rose oil, and a uniform temperature are essential. Certain peoples have made use of soothing music, and such an expedient was helpful; for the assistance given must be a psychic one. AUM (1936) - 224:
224. The thought that psychic treatment has already been satisfactorily established is futile. Attempts to cure by means of light and sound have been weak and not synchronized. No one is occupied with the study of the correspondence of aroma to color and sound. But the principal error lies in the fact that there are almost no physicians who would understand the correspondence of the worlds. Without realization of these fundamentals it is possible to sink into the narrowly material plane, yet the sphere of psychic energy embraces all planes. It can be recognized only in all subtlety. Thus, the physician cannot speak about obsession if he himself has no conception of the Subtle World! Thus, the physician cannot understand treatment with light if he cannot distinguish the scale of colors. He who likes the crudest music cannot discriminate a refined tonality. He cannot prescribe treatment through aromas if he himself cannot distinguish them. My purpose is not to belittle physicians, on the contrary, I would wish to equip them for the saving of humanity. Poisons have increased too greatly. Many resources have been directed only to the destruction of psychic energy, so that not only in cities but also in the midst of nature prana is already being violated by the intrusion of extraneous currents. Meanwhile it is necessary for humanity to understand that it has no right to poison Earth's atmosphere; mankind is responsible for the hygiene of the planet. AUM (1936) - 384:
384. Besides investigating psychic energy by the use of color, make tests of it with sound and aroma. It is possible to obtain indicative reactions to music; furthermore, observe both the effect of distance and of the most consonant harmonies. Much is said about the influence of music upon people, but almost no illustrative experiments are carried out. One may observe the influence of music upon people's moods, but that will be commonplace. Indeed, it is assumed that gay music communicates joy, and sorrowful - sadness, but such deductions are insufficient. It may be ascertained what harmony most closely adjoins the psychic energy of man, what symphony can have the strongest quieting or inspiring influence upon people. Different musical compositions need to be used in tests. The very quality of harmonization will give the best indications about the paths of sound and the life of man. AUM (1936) - 494:
Many, in general, do not understand why there are such subdivisions, but they certainly have not heard the music of the spheres, and they do not know the significance of rhythm. AUM (1936) - 572:
572. Assimilation of rhythm is a step toward the distant worlds. No one can perceive subtle vibrations if he has not assimilated rhythm and does not understand the significance of harmony. To some it is empty sound, but there are those who have already harmonized their whole life. Not the rhythm of mediocre music but the fiery rhythm of the heart is what I have in mind. Brotherhood (1937) - 49:
49. Among one's human incarnations there is invariably found an incarnation devoted to rhythmic labor. Whether this be some sort of craftsmanship or music, singing or farm work, every man infallibly will cultivate in himself the rhythm which fills all of life. Upon learning of certain incarnations, people frequently are astonished as to why they should have been so insignificant. But in them there was being worked out the rhythm of labor. One of the greatest of qualities, this must be acquired through conflict and patience. Brotherhood (1937) - 292:
292. Treatment by means of music is already being applied, but the effects are not always perceptible. The reason is that it is not customary to develop perception of music. From childhood one should be accustomed to assimilating the beauty of sound. Musical faculties are in need of education. It is true that in each man has been implanted an inclination for sound but without cultivation it remains asleep. Man ought to hear beautiful music and song. Sometimes a single harmony will awaken forever a sense of the beautiful. Yet great is ignorance when the best panaceas are forgotten in the family. Especially , when the world is quaking from hatred, it is indispensable to make haste in opening the ears of the young generation. Without realization of the significance of music it is also impossible to understand the sounding of nature; and, of course, it is impossible to think about the music of the spheres - only noise will be accessible to the spirit of the ignorant. The song of waterfall or river or ocean will be only a roar; the wind will not bring melody and will not resound in the trees as a solemn hymn. The best harmonies vanish for the unopened ear. Can people accomplish their ascent without song? Can Brotherhood stand without song? Brotherhood (1937) - 309:
309. Under the influence of thought it is possible not to hear even nearby music - thus is demonstrated the power of thought over the physical organism. Likewise, amid the waves of life it is possible not to notice the touch of a Brother's hand, but it can still bring equilibrium. And similarly, music, though not heard, contributes to the exaltation of thought. With Us the unfelt touch of a Brother is called by a secret word. It is not to be expressed by verbal signs, but is reflected upon the heart; therefore the heart is called the reflector of Brotherhood. Brotherhood (1937) - 480:
480. Dissonance is more audible than consonance. When one listens to the lower superearthly sphere, one may be staggered by the tortured groans, wails, and cries of terror. After these moans the succeeding spheres seem silent, but this impression is a relative one. The music of the spheres is sublime, but it does not harrow the nerve centers. So, too, in all that exists people are attracted by dissonance, but only a few know how to recognize concordance. On the paths to Brotherhood one must cognize the power of concordance. Supermundane - The Inner Life - Book 1 (1938) - 10:
We arrange for thought transference in an almost empty room whose walls are painted blue or green. Green can be very harmonious for many individuals. We also prefer a comfortable armchair, so that the spinal column is aligned. The chair should in no way discomfort the body. The light should not irritate the eyes, and it is better if it comes from behind. No forced tension is needed, only complete concentration. Sometimes one may place before oneself the image of the person to whom the thoughts are being sent, but it is even better to hold this image in one's mind. Calmness is necessary, and harmonious music may accompany the sending of thoughts. Supermundane - The Inner Life - Book 1 (1938) - 42:
42. Urusvati has developed her musical talent beautifully. This proficiency is achieved as the result of much labor in other lives. According to the Teachings of Plato, music should not be understood in the narrow sense of music alone, but as participation in all the harmonious arts. In singing, in poetry, in painting, in sculpture, in architecture, in speech, and, finally, in all manifestations of sound, musicality is expressed. In Hellas a ceremony to all the Muses was performed. Tragedy, dance, and all rhythmic movement served the harmony of Cosmos. Much is spoken about beauty, but the importance of harmony is little understood. Beauty is an uplifting concept, and each offering to beauty is an offering to the equilibrium of Cosmos. Everyone who expresses music in himself sacrifices, not for himself, but for others, for humanity, for Cosmos. Supermundane - The Inner Life - Book 1 (1938) - 42:
Perfection of thought is an expression of beautiful musicality. The highest rhythm is the best prophylaxis, a pure bridge to the highest worlds. Thus We affirm Beauty in Our Abode. Urusvati has noted that the music of the spheres is characterized by a harmony of rhythm. It is precisely this quality that brings inspiration to humanity. People usually do not think about the sources of inspiration, but if they did they would help Our work greatly. Supermundane - The Inner Life - Book 1 (1938) - 42:
The quality of music and rhythm should be developed from infancy. Supermundane - The Inner Life - Book 1 (1938) - 80:
80. Urusvati has heard the hymns of nature, which is what We call the harmonies that resound at the conquering of darkness. They resemble the music of the spheres, but belong more to Earth than to the higher realms. Most people reject every hint of the highest harmony, and when it resounds, would rather say that it is just a ringing in their ears. Supermundane - The Inner Life - Book 1 (1938) - 80:
Thus many who consider themselves to be occultists shut themselves off from their natural feelings. Too many books confuse them by prescribing practices that were once intended for other purposes. We prefer to meet new people, who are unencumbered by useless formulas. The music of the spheres and the hymns of nature are more easily heard by those whose hearts are full of love. Those who insist upon formulas for the heart, for love, for compassion, will not open their ears to higher harmonies. Supermundane - The Inner Life - Book 1 (1938) - 91:
91. Urusvati knows the ways of striving. Such techniques should be transmuted in the consciousness, for one cannot command them intellectually. Only with the eyes of the heart can one see whether there are still more ways to increase striving. One should rejoice at each act of full striving. Such fullness gives birth to the music of the spheres. An intensified harmony arises when all the strings of the heart resound. Do not take such comparisons as mere symbols; long ago We spoke about the eyes of the heart. Indeed, man sees through them, and hears with the ears of the heart. How could we exist without such senses? Supermundane - The Inner Life - Book 1 (1938) - 135:
Urusvati also knows that talk or thought about Us brings the sacred vibration closer. We, too, know the power of exalted thought, and come together for the purpose of thinking unitedly about the Beautiful. However, We do not suggest one particular image; each individual selects the most beautiful according to his affinity. Thus, a symphony is created which comes close to the music of the spheres. Its chords ring out like victorious trumpets, so harmonious that their very sounds fill the heart with joy. Supermundane - The Inner Life - Book 1 (1938) - 148:
148. Urusvati will not forget to write about the music of the spheres, which she heard today. In it were expressed the fundamental details of coming events, their grandeur and their sadness. Great is the creation of these events, and profound is the sadness that success should be achieved at so great a price. Supermundane - The Inner Life - Book 1 (1938) - 151:
His words about Beauty also do not appear often in the Apocrypha. The Teacher drew people's attention to beautiful flowers and to the radiance of the sun. He also encouraged group singing, for it is the most powerful method of achieving harmonious vibrations. The Teacher did not emphasize this specific aspect of music and singing, but simply advocated joy and inspiration. Supermundane - The Inner Life - Book 1 (1938) - 152:
152. Urusvati has heard both the majestic music of the spheres and the uproar of chaos. Out of confusion and wailing the Great Teacher composed harmonious symphonies. Only the ignorant assume that celestial harps will sound at the first request. From the abyss of chaos to celestial harmony the way is indeed long. This is why the Great Teachers are also the Great Toilers, and only those who have heard both extremes can judge the extent of this evolution. Supermundane - The Inner Life - Book 1 (1938) - 195:
The Thinker also said, "In the human organism rhythm and harmony lie dormant, but we must awaken them, for this music must become an important part of our education. Without rhythm and harmony we will not enter the Highest Realms. The Universe exists by motion, which is regulated by rhythm, but people do not realize that the beat of the heart is a symbol of the movement of the Universe." Thus did the Thinker direct attention to the Highest Realms. Supermundane - The Inner Life - Book 1 (1938) - 214:
214. Urusvati knows how much the concept of rhythm is misunderstood by humanity. The ancient teachings about the significance of rhythm have been lost, and today's idea of rhythm is limited to music and crude dancing. Scientists speak about vibratory rhythm, but their conclusions do not go beyond their laboratories. Rhythm should be expressed in all work, in all creativeness, in all of life. Only experienced workers are aware that rhythmic labor is the most productive. Supermundane - The Inner Life - Book 2 (1938) - 280:
People mistakenly assume that the music of the spheres can be forcibly evoked. One can hear these sounds, but their sources are too distant and cannot be evoked within the Earth's vibrations. One must imagine all the stormy, violent cosmic turbulence in order to understand the humble position of our Earth. Supermundane - The Inner Life - Book 2 (1938) - 289:
The Thinker constantly reminded others about harmony in music. He hoped that this awareness might help establish harmony in life. Supermundane - The Inner Life - Book 2 (1938) - 303:
The Thinker instructed his disciples to strictly control their thoughts and to harmonize them. He called such harmony of thought music. Supermundane - The Inner Life - Book 2 (1938) - 320:
Is not the serenity that is derived from harmonious sounds within the grasp of all? But someone first had to discover ways of attaining peace through music. While many songs were sung in ancient times, it was considered necessary to point out their ability to evoke peace of mind. In this way a new harmony was introduced into the world. Supermundane - The Inner Life - Book 2 (1938) - 324:
Can Our Life be imagined without total harmony in its daily routine? Not days, not years, but a succession of joyous works can provide the exaltation and strength to live without concern for time. We also have other joys, which the toiler can partake in. The intensity of Our labor brings Us closer to the music of the spheres; ordinary people usually do not notice when such a harmony occurs in their labor. Supermundane - The Inner Life - Book 2 (1938) - 396:
Space resounds continuously. From the keynote of Nature and the music of the spheres, to the groans and roaring of space, a trained ear can perceive all sounds. We call them trumpet calls and can define the quality of the spatial tensions accordingly. It should be noted that in ancient times people knew how to pay attention to the signs of space. They did not understand the precise meaning of the signs, but they certainly understood that the music of the spheres resounded only when the currents were propitious, and that the groaning signified malevolent currents. Thus one may at times hear the trumpet call without knowing its cause. Supermundane - The Inner Life - Book 2 (1938) - 407:
407. Urusvati knows the sensation of rapture and awe that is sometimes called ancient, or primal awe. This feeling can be caused by many experiences, ranging from the music of the spheres to a thundering storm, which would strike not fear but awe in the hearts of the ancients, who sensed their powerlessness in the face of the elements. Supermundane - The Inner Life - Book 2 (1938) - 407:
Some may ask if We also experience such sensations. Indeed We do, they are familiar to Us and We experience them very strongly. There are those who would like to think of Us as free of such feelings, but without them the music of the spheres would not resound. The refining of such feelings will affect one's entire way of life. Supermundane - The Inner Life - Book 2 (1938) - 411:
The Thinker said, "I would like to have in all labor the resounding of the chords of space. The Great Music is the labor of our Patrons, the Muses." Supermundane - The Inner Life - Book 2 (1938) - 426:
426. Urusvati knows that most people cannot perceive the beauty of the Subtle World. Even in the earthly world people have difficulty grasping the manifestation of beauty, and then only sense it in a crude way. Amidst the subtler harmonies they will feel themselves to be as if in a fog. How many are able to rejoice at the wondrous beauties of light, and will not the music of the spheres seem monotonous to the ear torn by earthly cacophonies? People will better appreciate the harmony of the higher spheres if, to a certain degree at least, they can accept the best earthly harmonies.
|