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New Era Community (1926) - 26:
26. If matter is everywhere then even light leaves behind its protoplasm. All manifestations of light cannot be regarded as accidental. Certain eyes are able to catch the network of light. Because of the loftiness of the energy of light, all these formations are very beautiful. Dissonance of sound is far more frequent. The protoplasm of light is not something abstract, its sediments adorn the vegetable kingdom. The rhythm of waves and sands and the crust of the planet are notably stabilized by the nodes of light. Learn to love the formation of light. It is not so much the images impressed upon canvas as the caught vibrations of light that have significance. The quality of the glance is completely unappreciated. It is like a ray for the photographic film. It must be kept in mind that through the spiritual gaze we establish the image of the elemental spirits. Similarly does the physical glance arrest in space the network of light. The significance of this cooperation should be known. Each movement of man is bound with the essential nature of the elements. New Era Community (1926) - 75:
75. Truly one may look forward to the fulfillment of all prophecies. I do not see the dates being altered. Think through the film of events, and comprehend how unimportant is the exterior; only the inner significance is vital. The sowing of generations begins to sprout; the seed is beginning to shoot up. Hierarchy (1931) - 71:
71. One may prosecute ignorance, but one should especially chastise superstition and hypocrisy. Like a leprous film, superstition covers weak brains. We are not against laboratories and Western methods, but We ask that honesty, efficiency, and the courage of impartiality be added to them. How can one think of cooperation when birdlike brains impede each experiment? One can produce the most stupendous manifestation if the horns of the devil do not impede in the test tube. People believe more in devils than in saints! Hierarchy (1931) - 206:
206. The experiment with the densified astral body, in substance, is not an attempt, but a plan-fitting inception of the Sixth Race. It should not be thought that a densified astral body will remain unstable for a long time. The preparation that can sufficiently densify it has already been found. Thus, amidst the earthly turmoil We assemble a new race. Certainly, means have to be found which will purify the lowest strata of the earthly atmosphere. But already there are some possibilities. The emulsion given to you pertains to the remedies for purification, destroying poisons through the pure film of the skin. Heart (1932) - 157:
157. The flaming sword is the ray of spiritual armor. The symbol of the swordlike ray has passed through all Teachings as a sign of the utmost rigor. Even peaceful symbols have affirmed the sword. This is not intended to represent the purpose of forcing, but a readiness to defend the most sacred. Thus, amidst the raging fire one can see a thin sword above the forehead of the warrior of spirit. It is a pity that the retention of the aura on a film is as yet so imperfect in the earthly world. Evident proofs of rays and other fires could be given. Heart (1932) - 439:
439. The projection of thought upon a highly sensitized film is quite possible, but for this, one should collect the most acute thinking. The chief thing lies in the quality of thinking. Sound creates rhythm upon the sand. Thought also emits vibrations. But of course, it is much finer than sound. Therefore, thought cannot react upon the coarse grains of sand but does act upon the most delicate film. People will not reach such refinement and concentration soon. They substitute amusements for concentration. But has dissipation been ordained Everywhere, action was indicated, but not the chaos of scattering dust. Heart (1932) - 465:
465. The impression of the aura on film does not depend upon the film itself, but on the photographer and the subject photographed. The usual satisfactory plate is adequate, but the qualities of the participants and the witnesses are especially important. Not even with the excellent qualities of one participant should one expect immediate results. The vina must be tuned in order to attain harmonies. But people dislike preparatory work most of all. In addition, another condition is necessary - one should be able to pass at least one day without the slightest irritation. Imperil corrodes the most significant reflexes of energy. An irritable person can be called a shell in the full meaning of the word. The most significant results are obscured by one crystal of imperil. Imperil should not be regarded as a houseplant, its odor is widespreading and blights all currents. Hence, when I speak against irritation, I do not refer to dogma, but to an indicated medical cure. As always, this consideration must be carried out beginning with the most minute. Fiery World - Book 1 (1933) - 227:
227. People must not keep anything rotten in their houses. The presence of fermentation, or of stagnant water attracts undesirable entities. When the photographing of entities of the Subtle World becomes more advanced, it will be possible to record on film the difference between the surroundings of a bit of cheese or meat and that of a fresh rose. Obviating logical arguments, one can actually see that the forms attracted by meat are repellent. These lovers of decomposition even accompany to the mouth itself the dish fancied by them. Also, before photographing auras one can gain experience by taking pictures of objects with their surroundings. As always, the experiment requires patience and perseverance. It should begin with indicative objects. Of the pure aromas, one must prefer the rose; it contains a very lasting oil. But it should not be forgotten that flowers should be gathered before decomposition has set in. I point out roses because they contain the greatest quantity of fiery energy. Thus, lovers of roses are near to fiery energy. The entities that feed on decomposition avoid the aromas of fiery energy. One must accept this indication in all simplicity, and just as information from a pharmacy. Fiery World - Book 1 (1933) - 302:
302. It is useful to take photographs not only at different hours but also during diverse cosmic tensions. When, if not during the moment of tension, can one espy the spots of absolute darkness? When, if not during the imbalance of the elements, can one obtain the most complex impressions? Our own fluctuation is reflected upon the film, but one can also secure impressions of various subtle manifestations. This can begin with the simplest conditions, because it is necessary to work in varied circumstances. Fiery World - Book 1 (1933) - 447:
447. The chakras, the fiery wheels, call to mind the countless circles of conception and completion. One can picture how the equilibrium of the worlds is founded upon fiery chakras. They contact and interpenetrate each other, and form inseverable links. Similarly, one can imagine how the chakras of man determine his fiery nature and bring the human entity into the totality of other fiery formations. People already have at their disposal rays that are not recorded upon the flesh; so, also, rays will be discovered that can capture the fiery centers on a film. This will demonstrate how the chakras of man correspond to the fiery formations of space. The figure of the fiery man merges into the rhythm of space. Thus, it can be physically demonstrated to what a great extent is everything that exists subject to the one law of rhythm. Of course, to succeed in such instructive experiments it is necessary to develop the fiery chakras in oneself. They exist in every organism, potentially, but soulless beings cannot project on a screen even a faint glimmer from the extinguished fires. Fiery World - Book 2 (1934) - 437:
437. One of the most visually beautiful fiery actions will be the convergence and divergence of auras. This beauty can be likened to that of the Northern Lights, and in it is expressed a multitude of psychological moments. One may observe how carefully the radiations draw near, how the protective network palpitates and flashes, as a preliminary to resounding harmoniously or to becoming darkened. The full and complete life, its chemism and magnetism, is concealed in the space and about a man. We await the time when people will begin patiently to photograph auras. Then it will be possible to observe the movement of light on a cinema screen, when the film will reflect the sequence of movements of the aura. You know that for successful photographing many subtle conditions are required. Often even a physically uncomfortable room can yield good results. You have excellent prints of subtle beings, photographed under ordinary conditions. Also, you know that when you decided to improve the physical conditions the photographing failed. The chief factor of success lies in internal, invisible circumstances. One must apply great patience, and exclude any irritation or wavering. Any fiery chaos merely darkens the film. Also, there will be no especially clear visions when there is a confused frame of mind. But when the necessary harmony is reached the photographing will be easy. Many external conditions can have an influence; therefore it is better not to bring in new objects once the needed vibration has been established. And disorderly exclamations are also harmful. The principle element is patience. Fiery World - Book 3 (1935) - 498:
498. Is it possible to want to have false thoughts? When the day of photographing the aura comes, many will attempt to replace their habitual thoughts with something more beautiful just invented. Indeed, people know how to shed simulated tears. Petty cunning individuals will try to conceal their essential natures, but the film will prove to be quite revealing. A remarkable experiment will take place. Hypocritical thought will only make the picture worse, spattering it, as it were, with dark spots. Thus, new cunning will not be successful. Sincere, inherent thought produces clear rays. The needed sacred aspirations will have clear colors. Soon advancement will be made in the photographing of the aura. But it is difficult to reconcile the polarity of the photographer with the photographed person. Many trials will be required. Likewise is needed a particular, as it were, ozonizing apparatus, for purifying the surrounding atmosphere. Fiery World - Book 3 (1935) - 582:
582. Vairaga is the very sacred flame of renunciation of corporeal things. Forbearance is more difficult in thought than in action. In action even the muscles can assist abstinence, but the thought centers are so subtle that the man who has not attained the art of thinking will not know how to follow the reflexes of these centers. It is said that the Subtle World is far from the material, yet each thought process is already a process of the Subtle World. According to the subtlety of thinking is it possible to imagine the film of the Subtle World. The subtle body is also ponderable, but in the most minute measurements. But the fiery body is already beyond measurement. Scientists can assist in revealing the Subtle World. In all domains is it possible to observe that thought multiplies the other energies; thus new cooperations take place. Supermundane - The Inner Life - Book 1 (1938) - 77:
77. Urusvati knows that every physical manifestation reveals some small part of the invisible world. There are photographic films that can record things invisible to the eye, such as a subject's radiations, yet sometimes fail to record parts of the subject's physical body. The powerful radiations of Primal Energy can even conceal someone, completely or partially. Skeptics can ask why such unusual photographs are so rarely obtained. This may depend upon the Primal Energy, or simply be a failure to examine the films with sufficient care. The quantity of so-called spoiled film is great, and no one takes the trouble to look carefully at seemingly unsuccessful photographs. Supermundane - The Inner Life - Book 1 (1938) - 77:
We conduct many experiments with films, and can say that the newest films are quite suitable for experiments which can help to solve problems posed by the invisible world. In addition to photographs made in the camera, images can also be made to appear by holding film in one's hands or by putting it under one's pillow at night.
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