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Agni Yoga (1929) - 201:
201. There exists the false impression that a yogi possesses unfailing health, as it is usually understood. But can a sensitive instrument be made from a sturdy log? Does not the value of the strings of the vina lie in their ability to resonate to the finest intervals of tone? Equally resonant is the sensitive apparatus of the yogi. Indeed, to him alone are known the indescribable fleeting pains, which, like the tuning of the strings of the vina, transform his being. Agni Yoga (1929) - 201:
You know by now that what is said here is not abstract symbolism. All the usual names given to these pains are useless, so long as science does not hasten to understand the significance of psychic energy or spirituality. The farther people are from an understanding of the dangers of Yoga, the farther they are from unity with the Highest Consciousness. Random flights of consciousness are of no value. What is needed is an incessant song of soaring. The vina may not always be sounding, but its tuning is kept harmonious. Agni Yoga (1929) - 202:
202. The health of the yogi is comparable to the tuned vina. The same may be said of the work of the yogi - at times resounding, at times silent, always wrapped in the garment of goal-fitness. The aim of the yogi is to fill space with beneficent affirmation and to direct energy to wherever Truth has been debased. Heart (1932) - 444:
444. Among the sacred pains there is a certain type which is called, "The Vina of the Creator." As chords on a musical instrument, so speed the pains of the centers of the throat, the shoulders, the elbows, the extremities, the knees, and other centers. Thus is the heart attuned. Undoubtedly, the contact of the heart with the Highest remains the only refuge of humanity. Other Yogas have corresponded to different cosmic conditions. The heart is set out like an anchor in a storm, and it is not difficult to approach the fiery Yoga of the Heart. First, one should sense the great battle and the threatening peril which gathers over Earth. Second, one should regard one's own heart as a refuge. And third, one should be affirmed upon Hierarchy. It would seem that these conditions are not difficult. But so often we prefer the deviations, and even prefer deceit, rather than to turn to the simplest ways. True, tension of the heart is needed, and not without cause was the heart called, "The Great Prisoner." Heart (1932) - 465:
465. The impression of the aura on film does not depend upon the film itself, but on the photographer and the subject photographed. The usual satisfactory plate is adequate, but the qualities of the participants and the witnesses are especially important. Not even with the excellent qualities of one participant should one expect immediate results. The vina must be tuned in order to attain harmonies. But people dislike preparatory work most of all. In addition, another condition is necessary - one should be able to pass at least one day without the slightest irritation. Imperil corrodes the most significant reflexes of energy. An irritable person can be called a shell in the full meaning of the word. The most significant results are obscured by one crystal of imperil. Imperil should not be regarded as a houseplant, its odor is widespreading and blights all currents. Hence, when I speak against irritation, I do not refer to dogma, but to an indicated medical cure. As always, this consideration must be carried out beginning with the most minute.
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