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Leaves of Morya's Garden - Book 2 - Illumination (1925) - 2.4.15:
We can appreciate a mediaeval lute as well as Wagner's "Walkure." Also fine is the ancient Chinese crystal instrument. The purity of its tone corresponds to the purity of flowers. It is called a rainbow harp. The rays produce excellent trumpet sounds, and the vortex rings are irreplaceable, as in a string ensemble. Verily, it is worth-while living with such perspectives. Leaves of Morya's Garden - Book 2 - Illumination (1925) - 2.6.6:
An entire rock can be split when knocked upon by metal in a discordant tone. Although this manifestation is well known, it is difficult to imagine it in connection with the human organism. Only by experience can one sense how much more shocking than an explosion some whispers are. It must also be remembered that the combinations of nerves are so diverse that it is difficult to determine the effects by any laws. Leaves of Morya's Garden - Book 2 - Illumination (1925) - 3.4.2:
3.4.2. If we begin to decompose matter, we see that the liberated atoms begin to arrange themselves according to the basic tone, and, escaping into the ether, they form a rainbow that resounds with the music of the spheres. Leaves of Morya's Garden - Book 2 - Illumination (1925) - 3.5.10:
3.5.10. Ask a composer if he likes unison choirs and symphonies. He will pronounce your question an absurdity, because there is no such thing as a symphony in unison. For a new tone the composer is ready to introduce the most unexpected instrument. Just so in the formation of a group - be not astonished at an apparent diversity of the members. Not according to birth, nor habits, nor mistakes are they grouped; their contact is in spirit. They are united in a chorus by spirit, which is imponderable, invisible and inaudible. Therefore, do not reproach anyone for the pitch of his voice - its quality is what is important. New Era Community (1926) - 223:
223. The methods of West and East in thought transmission differ. For suggestion the West has tried to apply direct aggressive action touch, fixation with the eye, loud murmuring of a command, which in their primitiveness remind one of the lower conjurers of southern India. At best such a command is distinguished by temporal brevity, and usually involves the consciousness in only one definite action. The East, first of all, seeks an inner contact with the state of consciousness, which allows the consciousness to be filled more firmly and lastingly. The Westerner tries to pierce one with his gaze, but the Easterner, in sending a thought, will actually not look at one, because the effect of a glance would be to diminish the sharpness of the command. Indeed, the eyes of the sender will be open but he will form a picture of his correspondent, and in that mental image he can more fully encompass his essence. No tension will strengthen the effect, but only immutability of consciousness and trueness of tone of the psychic sounding. A rock splits from a detonation, not only from a blow. It is easy to achieve the most difficult if the consciousness is adequate and tranquility is not disturbed. The trouble is in the fact that people regard tranquility as inaction. Agni Yoga (1929) - 201:
201. There exists the false impression that a yogi possesses unfailing health, as it is usually understood. But can a sensitive instrument be made from a sturdy log? Does not the value of the strings of the vina lie in their ability to resonate to the finest intervals of tone? Equally resonant is the sensitive apparatus of the yogi. Indeed, to him alone are known the indescribable fleeting pains, which, like the tuning of the strings of the vina, transform his being. Agni Yoga (1929) - 652:
652. Harmonious sendings bring much usefulness, especially when one dominant tone can be followed, as for a musical key. A primary note may even be struck with a tuning fork. A magnet, a tuning fork, a ring, and many common devices easily enter into the daily life of the young yogis. The clearing away of accumulations of debris requires the use of shovel and broom. One should not fear everyday objects - as below, so above. Infinity - Book 2 (1930) - 26:
26. The spark which kindles creativeness is inherent in the very seed of the spirit. The basis of cosmic creativeness is established upon this principle. The limitation of human thought directs man into the spheres separated from the designated path. In antiquity the communion with the Fire of Space was known and the departure which affirmed a new life was venerated. The entire essence of Be-ness is contained in this law of communion with the Fire of Space and in the principle of interchange of energies. Observing sensitively the manifestation of energies, one may note what the impulses are which activate the energies. As in a chemical reaction the properties of the energies are distinctive, so also the properties of the impulses of spirit must be observed. The impulses of children can afford the best indications. One can direct the impulse to a reaction and can induce it to take on a new tone. One may observe how a child, having lost one such impulse, will apply a new energy to his spirit. In the great laboratory of Cosmos all the heterogeneous elements may be applied. But humanity has lost its possibilities to such an extent that it is impossible to affirm such interrelation without explosion. Hierarchy (1931) - 50:
50. United sendings bring much usefulness when one tone can be maintained, as in a musical key. One may even sound a leading note with a tuning fork. A magnet, a tuning fork, a ring, and many other common adaptations easily enter into the daily life of young yogis. The clearing away of accumulations of dust requires a shovel and broom. One should not avoid common objects - as above, so below! It is wise to become accustomed to there being no rest or end. But a single realization of Our Brotherhood and of Hierarchy, already directs the traveler along the shortest path to Infinity. Hierarchy (1931) - 321:
321. One can compare the process of the inner fires with some parallels of physical fire. Let us take the flame under a blowpipe. Observe how, under pressure, the flame loses its yellow tone and through blue becomes silver and purple. Besides, let us notice how the flame inclines. Our fires are similarly strained under the pressure of the cosmic whirl. Those rare manifestations should be recorded, for they testify to participation in the cosmic battle. Few can pride themselves upon such participation. Not a chaotic tremor, but a vanguard of the hosts of Light is required for the piercing of darkness. And how blessed is the pressing whirl, which impels us into constructive battle! New thoughts may be realized in this battle, however, one should know the direction of the blow, and this We point out! Heart (1932) - 212:
212. Patience is the gift of heaven - thus spoke the ancients. Why should patience belong to heaven when in reality it should belong exclusively to the Heart? Yet how shall we exert patience without knowing the Higher World? Only when the silver thread shall be drawn from the heart to the Higher World, will the understanding of patience come. We revere that quality; it is close to tolerance and containment, in other words, to the opening of the Gates. If something is not close to us, but it opens the heart of a neighbor, would we not tolerate it only to kindle someone's heart? Would we prefer to satisfy our own pleasure and embitter the heart of a neighbor? Moreover, would it not be a beautiful test to keenly observe exactly what will open the heart to Good? In the diversity of achievements one cannot fail to acknowledge the general harmony of the spheres. Though it be expressed only in one tone, yet each correct note sounds like a cosmic consonance and must be accepted with care. Therefore people rebel so greatly in heart if this note is rejected. The trial by patience is one of the highest tests. Heart (1932) - 318:
318. People who have visions should be carefully examined by physicians. Thereupon, special symptoms of the heart and nerve centers will be found. As the cadenza of ancient India is far more refined than the Western scale, so, also, the heart that cognizes the Subtle World will afford incomparably more subtle modulations of tone. Of course, physicians avoid examining healthy people; thus they overlook a precious page which guides one to the future. Usually, all miracles and visions are relegated to the category of hysteria, but no one explains what hysteria is. They will say it is an intensified reaction of the sympathetic nervous system, or they will attribute it to an irritation of the peripheral nerve endings; they will determine many causes among various reasons and will apply most bovine remedies, but they will not trouble to think whether in these manifestations there is not a higher reason. Fiery World - Book 1 (1933) - 219:
219. Which of the conventional types of humanity expresses the fiery heart? The customary trend of thought may surmise the type to be of sanguinary nature, or, at least choleric, but this conclusion is an ignorant one. The fiery heart is a synthesized essence and cannot be fitted into purely conventional categories. It can only be asserted that the hypochondriac does not reflect the fiery essence. Thus, one must imagine the fiery heart as an all-containing receptacle. The fires of such a heart will also not be uniform. Who can limit Buddhi by blue color? It may be asked of which shade is this vibrating blue color? In any scale there will be a blue tone, depending on the outer and inner chemism. Also, let us not forget daltonism, which is widely developed. Thus, within a single law the fiery heart will find all the riches that befit the splendor of the Cosmos. Fiery World - Book 1 (1933) - 542:
542. In more ways than one it is possible to determine by experiment how the spirit helps even the development of muscles. It do not speak of Hatha Yoga, in which physical exercise is emphasized primarily. In other Yogas physical exercise has not such significance, but the spiritual development gives the muscles a special tone. Take two athletes - let one develop along physical methods alone and the other realize the power of the spirit. How much more will the latter excel! Fiery World - Book 2 (1934) - 326:
326. In the simplest handiwork, and in music, one can have most instructive experiences. Sometimes one finger alone is not firmly applied at the correct place and thus the full tone is lost; but even then such a misapplication does not at all mean that the fault is irreparable. Some centers harmonize quickly, but others, for many reasons, require far more protracted cooperation. Patience, that great constituent of success, will be tested in such adoptions of the centers. Often, precisely the slower adaptations serve for the good; they not only combine the centers, but, as it were, they unite energy to the future. Thus patience is an adornment of the heart. Each one who is inexperienced in patience will not know how to adapt himself to the Fiery World. Fiery World - Book 3 (1935) - 187:
187. Resounding on the cosmic note can be transmitted spatially to the spirit which perceives the subtle currents. Among the subtle manifestations of such reverberations of the spirit must be especially noticed those which are audible to the fiery spirit. How vital it is to harken to that apparently inaudible tone which can transmit to the spirit spatial joy or anguish. The manifestation of inexplicable anguish can derive from the sounding of a spatial tone. The subtle organism of this bearer of Fires shudders from these notes of space. The physical ear cannot hear it, but the subtle hearing detects that which is inaudible to the ear and receives it in the heart. Therefore, the striving spirit is a creator in unison with the Cosmos, and knows the cosmic soundings which intensify space. In them is contained summons or call; in them is victory or battle; in them is sorrow or joy. Verily, he who knows these soundings and experiences the joy and anguish of communion with space, may be called a great fire-bearer. To this the fiery heart of the Mother of Agni Yoga bears witness. Thus let us remember the great unified Heart. AUM (1936) - 33:
33. Correctly has it been observed that certain mantrams have lost their meaning and retain only their sound. Thus, we see how important is vibration. For this reason much was not written down, but was transmitted orally. Mere letters without sound produce no results. Moreover, the very quality of the voice has a special significance. A deep chest tone can give greater resonance than a high, flat, or nasal one. Thus, not only melody itself but quality of voice is important. I consider that at present the quality of voice is too little valued. Not volume, nor eloquence, but inner magnetism is important - the same is a fundamental requisite in singing. Many voices have been deprived of their natural qualities by methods of vocal training. AUM (1936) - 56:
56. Prayer usually evokes azure and violet flame. There may be a silvery prayer, but it is impossible to imagine a brown prayer. The principle of light in earthly existence is highly essential. One may disguise the tone of the voice, but the radiation of the heart cannot be falsified. AUM (1936) - 348:
Thought with particular ease can fertilize analogous consciousnesses. The radiations of such consciousnesses will be of one color, but sendings from a deeper tone will usually receive access to a lighter tone. This does not mean that the lighter shade is weaker or worse, but the intense color penetrates more readily into the less deep strata, while the light shade dissolves more quickly in the deep, and cannot evoke the quiver of radiation. This tremor of the aura is the gateway into the consciousness.
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