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Heart (1932) - 50:
50. Before him the weaver has his warp, without which the most skilled craftsman cannot reveal his creative thought. For creativeness of thought, the Cosmic Thought-Frame is also necessary; for thus We name the Primary Substance from which fiery thought strikes the spark of creation. This same work can be performed by experienced thinkers and also by a child if it is kindled by an unalterable desire. Without knowing the degree and quality of their thoughts one can judge neither hermit nor ascetic. Nor can one judge the singer or poet without knowing what thought-creativeness they emanate. Gradually we are becoming accustomed not to condemn, because only thought-creativeness is the Creator's co-worker. Thus, let us cautiously assemble all existing thoughts that can benignly penetrate Akasha and reach the essence of Existence. The greatest consolation is that no one is deprived of thought, and, aware of its significance, all can exercise this inherent bliss. Heart (1932) - 51:
51. Sometimes people say, "I was so moved by my dream that my heart is even in anguish." The heart-anguish comes from not evil dreams but from straining for luminous desires. Heart-anguish primarily fills our being with the substance of power. Naturally, the sculpture of Akasha is not always connected with heart pangs, but a feeling of anguish reveals, in any case, tension and cooperation with the Primary Thought-Frame. Thus, one need not fear anguish as an evil sign.
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