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Leaves of Morya's Garden - Book 2 - Illumination (1925) - 2.9.8:
To a skillful scribe there came an honorable man who commissioned him to copy, upon an ample parchment the man supplied, an appeal to the Lord. Immediately afterward a man came with a request to copy a letter full of threats; and he also provided a parchment, urging that the work be finished quickly. In order to give this letter priority, the copyist changed the sequence and hurried with the second order, taking up the parchment of the first man in his haste. He of the threats was very pleased, and rushed away to pour out his venom. Leaves of Morya's Garden - Book 2 - Illumination (1925) - 2.9.8:
Then the first customer returned and, looking at the parchment, said, "Where is the parchment I gave you?" On hearing what had occurred, he said, "The parchment for the prayers bore the blessing of fulfillment, whereas the parchment of threats was devoid of effectiveness. Unfaithful man, in violating the law of dates you have bereft of its power a prayer which could have aided the sick. But besides this you have brought into fulfillment threats which are full of unparalleled consequences. The labor of the Arhat in blessing my parchment is wasted. Wasted is the labor of the Arhat who stripped evil of its power. You have loosed upon the world a malicious curse which will inevitably react upon you yourself. You have pushed from the path the Wheel of the Law so that it will not lead you onward but will break your way." Leaves of Morya's Garden - Book 2 - Illumination (1925) - 2.9.8:
Do not write laws upon a dead parchment which may be carried away by the first thief. Bear the laws in spirit, and the breath of Benevolence will carry before you the Wheel of the Law, illuminating your path. Such unreliability as that of the scribe may bring catastrophe upon the whole world. AUM (1936) - 100:
100. A triple palimpsest provides an example of the stratifications of signs of the three worlds. Let us imagine a parchment on which first was written a cosmogonic treatise, and which later served for a love sonnet, while finally there has been written on it a reckoning of fabrics and furs. Through the obvious bazaar figures it will be difficult to make out the effusions of the heart, and it will be almost impossible to decipher the treatise about the most important. Does not the same thing take place in regard to the hieroglyph of the three worlds? Yet just as the experienced savant is able to read the most complicated manuscripts, an enlightened consciousness can understand the meaning of inscriptions of the Higher World.
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