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Leaves of Morya's Garden - Book 2 - Illumination (1925) - 3.2.15:
During work, when fatigue already possessed the disciples, Buddha would ask the most unexpected question and await the promptest reply. Or, placing the simplest object before them, He would suggest that they describe it in not more than three words or not less than one hundred pages. Or, placing a pupil before a locked door, He would ask: "How will you open it?" Or, summoning musicians beneath the window, He would have them sing hymns of entirely dissimilar contents. Or, noting the presence of an annoying fly, He would ask the pupil to repeat some words unexpectedly pronounced. Or, passing in front of the pupils, He would ask them how many times He had done so. Or noticing a fear of animals or of natural phenomena, He would give them the task of mastering it. Heart (1932) - 316:
316. Even a giant can be arrested by a small thought if it acts as a dissonance. So many people start to turn around, shudder, change their direction, and in every way give attention to passing thoughts without even noticing their source. The law of attraction and repulsion by thought will be accepted most readily by musicians, who understand consonance and the significance of dissonance, with one established key for the whole composition. Whoever understands what it means to conduct an entire multivoiced symphony in one given key, will more readily understand the manifestations of the basic thought, even considering the multiformity of the task. Such a thought of construction does not impede the manifestation of many ramifications if in the very same key. And an alien dissonant intrusion will not penetrate deeply if the fundamental task is solid. Fiery World - Book 2 (1934) - 165:
165. Vexation is the plague of the World. It reacts upon the liver, and engenders certain bacilli which spread in a highly contagious action. The Emperor Akbar, upon sensing vexation in someone, would summon musicians so that a new rhythm would break up the infection. This action, even though physical, brought beneficial results. AUM (1936) - 300:
300. It is superfluous to speak of the meaning of striving to the Higher World to poets, musicians, artists, sculptors, and singers, because their expression of beauty is founded on inspiration. Who, then, can define the boundary between inspiration and Hiero-inspiration? Such a boundary line between inspirations is undefinable. Each inspiration contains some particle of Hiero-inspiration. Only the heart itself can determine the degree of its exaltation. The true participant of beauty can sense the Guiding Principle brooding above earthly expression. Therefore, there is no need to convince the servitors of beauty of its lofty heights. AUM (1936) - 356:
The observer himself can gradually adopt many individual details. It need not be thought that multiformity of such details will be a violation of the law, on the contrary apparent exceptions will form combinations of new particles of energy. From the same instrument two musicians do not draw out identical chords, yet it is difficult to say which is the better performer. Each one reveals his own precious character. AUM (1936) - 451:
451. It is necessary to confirm the fact that the concept of inspiration is inherent in all people. Ordinarily it is attributed only to scholars, poets, musicians, artists, but each one who is concerned about his own consciousness may receive this higher gift.
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