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Agni Yoga (1929) - 420:
420. The material teraph was usually made as a sculpted image, by using any object to which was added something belonging to a person referred to in the ritual. Often, after the death of the owner of the teraph, it was put into the tomb, as in ancient Egypt and in the burial monuments of the Mayans and Etruscans. When the funeral rites required cremation, the teraph followed into the fire. Brotherhood (1937) - 498:
498. Even terrible criminals have been called "magnificent" because or their appreciation of beauty. Throughout the history of humanity one may find convincing proofs of beauty having been a shield. Constriction of creativeness is a sign of a decline of humanity, whereas each epoch of the renaissance of creative power remained as a step of achievement. Since this is widely known, why is art not applied in life? It may be recalled that beautiful monuments to creativeness have become manifest as salutary landmarks; in striving, people have hastened to them, for they bore peace.
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