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Heart (1932) - 321:
321. A sculptor, in modeling his images, touches some places only once, but upon other places he concentrates an entire succession of strokes, severe as well as delicate. So, also, in the Teaching it is often noticed with what variety it is necessary to touch certain situations without repetition, because even the chisel of the sculptor likewise does not repeat a movement, but only defines the needed form. These places usually require great attentiveness; so, also, pay attention to passages which were marked more than once. They are either unusually new to the consciousness or they are passed by inattentively. And yet, as a faltering chisel can have a decisive significance, so also, an opportunity missed will give another meaning to a complete task. When I speak about the heart, does it not include a multitude of individuals who are calling forth absolutely unrepeatable manifestations? It cannot be otherwise, because the most refined energies are incalculable in their refraction and mutual intercrossing in diverse spheres.
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