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Leaves of Morya's Garden - Book 1 - The Call (1924) - 336:
336. Waterfalls and green grass, birds and winds - all sing to me. And on my way is born a song. I proceed with ease. But when the wind is still and the birds are flown and the green grass bends, what shall I do, My Lord? Regard then Me. Leaves of Morya's Garden - Book 2 - Illumination (1925) - 3.2.2:
Notice how Our field is overgrown. Useful sprouts are yet green, dry ones fall off and become black. One can already draw a chart of the new conflict. You will add regions of the struggle of spirit and blot out the mountains of former pride. New Era Community (1926) - 41:
41. We drive out all fear. We throw to the wind all the many-colored feathers of fear blue feathers of frozen terror, green feathers of trembling betrayal, yellow feathers of secret crawling away, red feathers of frenzied heartbeat, white feathers of reticence, black feathers of fall into the abyss. It is needful to repeat about the multiformity of fear, otherwise there remains somewhere a small gray feather of complaisant mumbling or even some fluff of hurried bustle, but behind these will be the same idol of fear. Each wing of fear bears one downwards. New Era Community (1926) - 226:
226. When a man finds himself in an imperfect community, in his fright he turns to opposition - this is wrong. He who understands imperfection must enter upon perfectionment. Let new communities arise as new springs in the desert. Around each spring tender grass will become green and the streams from the springs will eventually flow together in one current. The failure of one community must be grounds for new communal structures. Thus think about new possibilities. Agni Yoga (1929) - 89:
89. Harmony of auras does not require sameness of color. Thus, a violet aura can be in harmony with one that is green, and a pink aura can make a blue one more visible. In such combinations can be found currents of special intensity. It is even desirable to combine colors, as a guarantee of the future rainbow. So multihued are the vibrations of luminous colors, that it is impossible for the limited range of earthly colors to represent them, just as it is impossible for the range of earthly sounds to encompass the symphony of the spheres. Your earthly lilac and violet have nothing in common with Our heavenly purple. Agni Yoga (1929) - 260:
Also, one should reconsider the true correlations of sound and color. There is a stage in the development of psychic energy called luminous, when the essence of a being begins to emit light. This "resounding" of light is evidence of a degree of proximity to the realization of the far-off world. Thus the color green in the aura signifies the ability to perceive the essence of things. And other powers are unexpectedly gathered from space. And the manifestation of light, radiating and "resounding," is a bridge to the Fire of Space. Agni Yoga (1929) - 461:
461. Attainment, synthesis, and vigilance are expressed by the tri-colored flame. Attainment is silver; synthesis is green; vigilance is yellow. This triad is developed by training one's consciousness in the many conditions of life. One can point to this triad as the sign of one's having mastered the necessary conditions for self-sacrifice. Agni Yoga (1929) - 535:
Among the components of developed auras it is especially rare to see the emerald green and the noble ruby colors, which stand in contrast to each other. The first denotes synthesis and the second, the self-sacrifice of attainment. In clouded auras hints of both may be seen, but to see them pure is as rare as are synthesis and attainment themselves. Emerald is closer to the Chalice, and ruby to the Eye of Brahma. Agni Yoga (1929) - 590:
590. You have noticed that sometimes physical tension activates one's psychic energy. This purely mechanistic and physical condition should direct one to thinking about the material nature of psychic energy. This materiality of psychic energy can easily be demonstrated by physical means. It is not difficult to observe the reflexive reactions to physical tension. Should one not search along these obvious directions? It means that spiritual manifestations are not at all abstract and can be measured. They may not be evident to all, yet the coarser actions can be seen by even an ordinary person. Unfortunately people often pass by without noticing even the loudest colors. Red may sometimes be remembered as green; this kind of distortion can be met everywhere. Heart (1932) - 148:
148. Again one will come with a question, "Why is so little said about the Subtle World in all scriptures?" Be assured, much is said everywhere, but people do not wish to notice this. Upon ancient icons one can see green spheres representing the earthly, and red spheres, the fiery - in other words, those of the Subtle World. Upon one icon one can see a whole scene in green tones and alongside it the red world of the angels. What could be more graphic? All prophecies are filled with messages about the Subtle World. Even in the Koran the Subtle World is not forgotten. It is impossible to name one Teaching where there is not a place allotted to the life of the Subtle World. Because of the horror before everything invisible, people stuff their ears and close their eyes, preferring to remain in ignorance. But can one think about the heart, about psychic energy, without remembering about the Subtle World, vast and so indivisible from the dense world? Heart (1932) - 587:
587. A hermit who understood the language of animals noticed that a small green snake began to coil about him during his prayers. This continued for many days. Finally he asked the snake, "What is the meaning of your strange behavior?" The snake answered, "Rishi, your concentration is strange if during your prayer you were aware of all my motions!" The hermit thereupon replied, "Cunning worm, do not judge by yourself. First occurs the earthly concentration, then the subtle and then the fiery when the heart contains the heavenly and earthly." Fiery World - Book 2 (1934) - 277:
277. Not only santonin, but also certain other vegetable substances help toward seeing the symptoms of the aura. However such mechanical reaction is undesirable. Each poison cannot but react on the nerve centers, if applied for long. When we come to speak about the fiery heart, this recognition of radiations comes about naturally. Besides, it is most fitting to sense the quality of the aura. Because many tints appear highly intermingled, and just the viewing of it does not give an understanding of their essence. Thus, sometimes a blue aura may be exposed to an undesirable yellow radiation, and as a result there is a greenish light, but such a combination can be distinguished from a pure green synthesis. Similarly, violet may be the result of the approach of crimson. Thus, a single glimpse alone means little. One must perceive through the heart the essence of what is taking place. Thus, for example, it may happen that due to illness the radiation will grow dim, but the fiery consciousness will apprehend that the nature of the radiation is not bad, and that only because of accidental sickness has it been temporarily changed. Likewise it may happen that the radiation may be subjected to an external influence, such as results from obsession. Here also only the fiery consciousness will apprehend the true cause. Therefore, when I speak about future photographing of the auras, it must not be forgotten that fiery straight-knowledge will also be needed for this. Brotherhood (1937) - 546:
546. In the transmission of thought at a distance, certain methods are employed that are not without foundation. In two rooms, both painted in the same color, preferably green, a single note is sounded and the place is filled with one aroma. Such details undoubtedly have significance, but only of an auxiliary nature. The power of thought depends upon calmness and heart-striving. This should always be kept in mind, because people too often place the will in the brain. Such a brain-sending can be interrupted in space by a still stronger current. In general, the subtlest receptivity is needed around the will and sendings of thought. Supermundane - The Inner Life - Book 1 (1938) - 10:
We arrange for thought transference in an almost empty room whose walls are painted blue or green. Green can be very harmonious for many individuals. We also prefer a comfortable armchair, so that the spinal column is aligned. The chair should in no way discomfort the body. The light should not irritate the eyes, and it is better if it comes from behind. No forced tension is needed, only complete concentration. Sometimes one may place before oneself the image of the person to whom the thoughts are being sent, but it is even better to hold this image in one's mind. Calmness is necessary, and harmonious music may accompany the sending of thoughts. Supermundane - The Inner Life - Book 1 (1938) - 25:
The "Green Laurel"1 about whom you have often spoken could combine leadership with sensitivity to the Counsels of the Brotherhood. He accepted the directions of Saint Germain with full confidence. In this lay his success. Perhaps Saint Germain came especially to prepare this future leader. Supermundane - The Inner Life - Book 1 (1938) - 200:
"Friends, I wish to relate to you alone how I remember the distant world. The distance that separates us from it is enormous, but the flight is instantaneous. To land on this remote ground is impossible for Us, even in Our luminous bodies. But We can see the outlines of the oceans, rejoice in the beautiful colors, and even see the birds and the fish. People there are not like Us, and, wonderful to see, they can fly! Their speech cannot be heard, perhaps because of the resounding of the spheres. I remember the blue of the water, like sapphire, the green of the meadows, and the mountains, like emeralds. It would seem that man is incapable of stepping upon such pure soil. Even the air is unbearable for Us.
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