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Agni Yoga Series - Master Index > FE > FEATURES (25)

Leaves of Morya's Garden - Book 2 - Illumination (1925) - 2.3.3:
The approaching time must put at the disposal of every sensitive spirit the tripod of Pythia. A kind of democratization of the features of aristocracy. But everyone inescapably bears in his bosom scales impossible to cheat. Each one will allot himself immediately what he deserves. This conforms with the New Era and easily reaches people's psychology. Understanding the flow of people's thought, it is easy to foresee the consequences.

Leaves of Morya's Garden - Book 2 - Illumination (1925) - 3.5.19:
20. From Our Community We sow seeds of the Common Good throughout all parts of the world. You ask how to keep the Code of the Community? You have already heard about many features of Our Labor, and now remember this not purely for information but for immediate application. If renouncement of the personal brings one near, then abstinence from action for the Common Good removes one immeasurably - this is a rule of the Community. Through mobility of mind it is easy to preserve the personal during striving for the General Welfare.

Leaves of Morya's Garden - Book 2 - Illumination (1925) - 3.6.6:
In the second book those who understood the summons of the first will find the features of the desired labor.

Leaves of Morya's Garden - Book 2 - Illumination (1925) - 3.6.21:
3.6.21. The first book summoned to attainment of beauty, simplicity, and fearlessness. The second gives the quality and the features of labor which affirm the expansion of consciousness.

New Era Community (1926) - 158:
You yourselves have performed the experiment with the hazel branch and have been amazed how this most ancient and primitive apparatus became tense, trembled, and went into motion, reacting to underground waters and minerals. Indeed, the source of this obvious reaction lies not in the branch but in the human apparatus. With what detail and fervor must one study, therefore, the reaction of each locality upon man and upon entire groups of people! Many regions are replete with popular rumors about the peculiarities of character of their inhabitants in some places people suffer from goitre; in some they lose their teeth; in some leprosy makes its nest; in some the spleen becomes blighted, or the heart becomes enlarged, or the character sluggish; in some places there is vigor and animation. A great number of such features catch the eye. It may be observed that these peculiarities are not a matter of racial or climatic conditions. The very structure of the ground underfoot may contain the principal causes of the differences in popular characteristics. There is a broad field for study if approached with keen eye and without prejudice.

Agni Yoga (1929) - 303:
Essaying investigation into everything, we must agree on the methods of research. We will know the direction of our action, but will not put obstacles in our way by making premature decisions about enemies. Let us combine insight with real action. When any aspect of the unknown becomes familiar, that will be a conquest - without astonishment, without a shudder, and even without excessive enthusiasm. For each hour, even the most inactive, may bring us closer to the unknown. The Great Unknown may be thought of as a friend, but for the researcher it is more useful to think of it as an enemy. All features of the unknown correspond more closely to those of an enemy. We speak always of fearlessness, but this is not needed against a friend. The achievement of victory also presumes the existence of an enemy.

Fiery World - Book 3 (1935) - 79:
79. The forms extant in life are the imprint of the spirit of the people. One may judge the fall or rise of a people not only from historical facts, but also from the accompanying expressions of creativeness. When coarseness and ignorance are in possession of the spirit this will be reflected in the laws and customs of the life. In this unity all the basic features of the time can be traced. Naturally, the set forms of the life give a distinct coloration to various periods of history. By what are distinguished the first three decades of the twentieth century? Wars, terrors, cruelties, coarsening and the most horrible denials! Yet it is possible to discern, amidst all this darkness, forms of Light. It matters not if they be few in number, if they be scattered over the face of the Earth. The equilibrium of Light is not established by quantity, but by potential; not by congestion, but by prowess of the spirit. Thus, on the path to the Fiery World let us be imbued with the significance of great forms, and let us especially esteem the light of the eyes which bring to humanity the power of beauty.

AUM (1936) - 30:
30. Significant features have attached themselves to various beliefs. In antiquity it was required that before praying the priest should bathe and put on clean garments. Now the reverse has come about - luxurious outer garments are displayed, but cleanliness beneath is forgotten. Let us compare such involutions of basic concepts and reflect on the state of spirituality. To a great extent the significance of invoking the Highest has been forgotten. Many books have been written, yet hearts become silent. Thus, it is necessary to remember that you need not luxury of dress, but cleanliness. Let the purity of the path lead to purity of the heart. Prayer cannot rise from a defiled heart.

AUM (1936) - 250:
250. You have already observed how, through a certain straining of sight, it is possible to see faces of former incarnations. One may clearly perceive how a face of the present is reconstructed into an image of a past age. Vibrations and crystal formations indicate the presence of a definite energy. There can be no question of autosuggestion, for neither of the persons participating in the experiment know into what the formations are molded. Often the reconstruction begins, not in alteration of the facial lines, but in some details of headdress or clothing. The very character of the face changes quite imperceptibly, and in the most unexpected features. It may be noted that faces rarely hold to their present type. During all such unexpected metamorphoses, all premeditation is precluded. A very painful tension of the eyes indicates that the process is not a mental one, but that psychic energy is acting through the optic centers. Frequent experiences of this nature can injure the sight, yet the presence of such physical clairvoyance is exceedingly important. There can be clairvoyance under suggestion, but then the psychic energy is acting through the brain, and it is always possible to suspect suggestion on the part of the hypnotist himself. It is far more convincing when psychic energy acts directly. The same directness is expressed also in actions with the pendulum of life. Autosuggestion is not similarly precluded. An honest investigator does not know the results to be received. He is often more astonished than the others present. In both the first and the second case, onlookers are altogether undesirable. There should be nothing in the vicinity which can influence the psychic energy.

Brotherhood (1937) - 93:
93. All is possible; only depression of spirit can whisper about impossibility. Each step of science does not limit; it provides a new possibility. If something appears impossible from the earthly point of view, it may be entirely feasible through application of subtle energies. The face of a man changes with the source of light. Lightning can alter to the point of non-recognition the facial features and can reveal a quite unusual expression. But there are so many rays and currents, of diverse influence, and they can transform that which exists!

Brotherhood (1937) - 259:
259. Sometimes it may seem that an instruction has not been given clearly enough, but is this really true? Will not some of our transitory moods be false interpreters? In time the mood will disappear and the true features will appear. It will then be possible to recognize that the instructions were unalterable. Thus is forged the approach to Brotherhood.

Brotherhood (1937) - 491:
491. The Teacher bent his head over a cistern and asked the disciple, "What do you see?" The latter replied, "I see thy clear reflection." Then the Teacher directed, "Stir the surface with the little finger - what do you see?" "I see thy features distorted." "Think, if the touch of your little finger so altered my features seen in the water, what distortions will take place in the midst of subtle energies at a coarse contact?" In the smallest examples one can see what is also taking place in the Subtle World.

Supermundane - The Inner Life - Book 1 (1938) - 31:
31. Urusvati understands correctly the reason for Our long-unchanging features. Relations with the Subtle World impose a special quality that belongs to the Subtle World. There one's appearance does not change except when there is a special desire for it. Thought creates form in the Subtle World. One can call forth any image chosen from the depths of centuries and fix it in the imagination, if the imagination is developed enough. Added to these conditions of the Subtle World is the unity that is strongly manifested in Our Abode. This helps in all details of daily life. It creates a salutary atmosphere and forges a fiery consciousness.

Supermundane - The Inner Life - Book 1 (1938) - 48:
48. Urusvati is in constant communication with Us. It is not easy to receive the currents of intensified energy while remaining in a physical body amidst daily life. We consider such simultaneity a special achievement. One must be able to adapt oneself to the peculiarities of subtle energies. It can easily be shown that little time is needed for even the most detailed dreams. Complicated actions and lengthy discourses are assimilated instantly. Such features of subtle perception are characteristic of communication with Us. One may understand complicated sendings without knowing in which language they are given. The thought reaches the corresponding centers and reveals the essence of the communication. The communication is through the subtle body. One should become accustomed to this subtle perception. This cannot be understood without the broadening of consciousness. Many problems must be understood without earthly limitations. People often notice only one detail, then elevate it to an immutable law.

Supermundane - The Inner Life - Book 1 (1938) - 72:
Man will ask, "Are You always with us?" We can be, but man must want it. We disclose many features of Our Inner Life to you. We Ourselves have passed through all obstacles, and often when going to sleep, did not know if We would be alive in the morning. Each one of Us learned to steadfastly walk in the path of His Teacher.

Supermundane - The Inner Life - Book 1 (1938) - 113:
113. In her flights to far-off worlds, Urusvati sensed their differences. It may seem strange that in spite of their foundation of Oneness there are so many differences, even in manifestations that seem to resemble earthly conditions. In addition, the inner atmosphere of those worlds is wondrous! The colors at times may remind one of earthly colors, but their substance is entirely different. The colors of the oceans of Earth cannot compare to the depth and transparency of the waters of the Subtle World. The atmosphere of the Subtle World resembles a rainbow, but its subtle colors are totally unlike the colors of earthly rainbows. The fish can fly, but their coloring has no equivalent in fish of Earth, and the most luxurious feathers of earthly birds cannot compare to the plumage of the Subtle World. The people resemble earthly people, but amaze one by the subtlety of their features and tissues. Their voices remind one of the finest singing on Earth, yet the meaning is entirely different. Such differences are striking to the human consciousness, and one must become accustomed to them.

Supermundane - The Inner Life - Book 1 (1938) - 147:
147. Urusvati remembers the striking features of the Great Pilgrim: the eyes, the forehead and the light brown hair, features that overwhelmed one with wonder, and were so unusual that they provoked exaggerated rumors among the local people. It should be remembered that everything that amazes can cause distorted and absurd interpretations.

Supermundane - The Inner Life - Book 1 (1938) - 159:
159. Urusvati can describe the features of the Great Pilgrim to artists who have a talent for depicting the human face. At least in a general way this Image should be given to the people. Here We shall once more recall His features. His light brown hair was rather long, with soft waves in noticeably separate locks and ends that were slightly darker. His forehead was broad and bright, unwrinkled, with eyebrows somewhat darker than the hair, but not too prominent. His eyes were blue and raised at the corners, with lashes that gave them great depth. His cheekbones were somewhat high and His nose not large, but gently rounded; His mouth was not large, but with rather full lips, His moustache not thick, and not covering the mouth. His beard was parted in the center, and not heavy. These features were appealing, but it was not so much the beauty as the expression of His face that made it unforgettable.

Supermundane - The Inner Life - Book 2 (1938) - 359:
It is interesting to observe how slowly people acquire this ability. Often the perceived images tremble, the features become distorted, parts disappear, or the images may become stretched out of proportion or change their expression. Even the most kindly face can acquire a look of malice. Due to these distortions people imagine that they have been approached by an evil spirit, but the cause lies in their own inability to develop subtle vision.

Supermundane - The Inner Life - Book 2 (1938) - 359:
In ancient days students were required to develop subtle sight. For this purpose, the student was asked to observe an object, then suddenly was asked to close his eyes and describe it. This is not an easy discipline. In these tests, although the student thinks that he has memorized everything, he has in reality absorbed only the general outlines, and the object's distinctive features have eluded him. But it is precisely in the distinctive features of an object that one can find its essence and style.

 


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