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Agni Yoga Series - Master Index > DE > DESIGNS (22)

Leaves of Morya's Garden - Book 2 - Illumination (1925) - 1.6.1:
The whirlwind of folly blows away the best designs sent by Me. One should not strew about treasures which are bestowed for manifestation to the world.

Leaves of Morya's Garden - Book 2 - Illumination (1925) - 2.7.9:
In earthly churches people invoke Christ and wonder at His silence; whilst you perceive how one can resurrect Him amidst earthly life, without putting on a sackcloth and disturbing the space with discontent. Thus are the great Designs forged.

Leaves of Morya's Garden - Book 2 - Illumination (1925) - 3.2.15:
3.2.15. Thus, after Cosmic designs let us turn to the carrying of stones, and on each We shall inscribe the symbol of the cross. I shall remind you how Buddha selected disciples for an achievement.

Agni Yoga (1929) - 20:
A free mind has the privilege of searching out new designs based upon unusual combinations. These hitherto undetected threads will lead it to more exalted layers of matter. Beholding play that is timid and limited, the free mind is right to point out new and better combinations.

Agni Yoga (1929) - 357:
One must understand rhythms, for how else do we bring effectiveness to our actions? If lifeless sand arranges itself into special designs in response to rhythmic vibrations, then how much more is humanity influenced by rhythm! Not sorcery but knowledge will show the way to transformation. This path is an urgent one. Thus was humanity exhorted in the days before the end of Atlantis.

Agni Yoga (1929) - 388:
388. Stones are no less useful than plants for experiments with psychic energy. Rhythm compels sand to form various designs. Psychic energy can produce vibrations with similar results. The ancient proverb that the will moves mountains is based on knowledge of the power of vibration.

Agni Yoga (1929) - 467:
467. "And with His staff He wiped away all the designs in the sand." In this action we see all the generosity of the Teacher, all His riches, all the dismissal of the past and the striving into the future. But people, as I said, turn everything into the ordinary, so that all their actions, whether personal or national, whether material or spiritual, are deprived of enthusiasm. But if our daily labor is consecrated in the Name of the Teacher it cannot be ordinary or tiresome. If we forget for what we labor, boredom will cover us with its shroud of decay, and all the jesters of the world will not be able to provoke a smile in us.

Agni Yoga (1929) - 467:
How is it possible to describe the daily work of the Teacher when He scatters His creation in space, and the whirlwinds carry away the designs? But with a smile the Teacher scatters the signs, for He will never tire of sowing the sparks of attainment.

Infinity - Book 1 (1930) - 24:
When the radiation is directed toward the conscious assimilation of all designs of cosmic waves, accept them. The unutilized energies are speeding through space like discharged cannon balls.

Infinity - Book 1 (1930) - 26:
26. All that contributes toward accomplishment of the task of humanity's advancement in the chain of evolution coordinates its earthly direction with Infinity. The task suggests that creative thoughts be applied toward discoveries in the realm of Space. Great is the loss when designs force the closing of that which induces the perfecting of all forms. Only when the evidence of all spatial riches will be realized will it be possible to give perfection to our earthly forms. Be-ness was affirmed before its full realization by humanity, and all forms of life were then in varying stages. There are as many stages in Infinity as there are steps of consciousness. All things are interrelated. All things are mutually attracted and everything is reflected in the depthless ocean of creativeness.

Infinity - Book 1 (1930) - 319:
Thus, the Tara and the Arhat manifest cooperation and spin the best designs - I so affirm! Thus, We respond to the Cosmic Magnet.

Infinity - Book 1 (1930) - 386:
386. Is not the greatest process in Cosmos that transformation wherein all forms are generated in Materia Lucida and are affirmed as the highest creation in Cosmos? The great transformation creates all the highest cosmic manifestations out of the subtlest energies. Thus are the forms of the Infinite generated, and the course of evolution is constructed upon these designs.

Hierarchy (1931) - 67:
Beginning with such observations, one can arrive at valuable conclusions which, when accumulated, will bring great benefits to humanity. Because the time has now arrived for especially keen application of the psychic laws. It is time to gather into the chalice of patience all the designs and to remember that each fluctuation of climate and atmospheric pressures also exerts its deep influence upon the psychic laws. Let us apply the most precise scale for weighing our thoughts, and let us remember that each oxidization of metals exerts influence upon the character and quality of thoughts. Smoke, and also the odor of burning refuse or meat, is always harmful. Let us not forget that dust, like particles of decay, penetrates the pores of the body. Let us calmly discriminate in all the details of life, not for self-vindication, but for the investigation of our nature and acceptance of the measures of perfection.

Hierarchy (1931) - 70:
70. Aerolites are not sufficiently studied, and still less attention is accorded to the cosmic dust upon the eternal snows and glaciers. However, the Cosmic Ocean designs its rhythm on the summits. If we begin to think of Infinity, we should pay attention primarily to all that comes from beyond and links us materially with the far-off worlds. How, then, can one venture upon a distant voyage without paying attention to the guests from afar? Also, symptoms of life upon the eternal snows should be compared with those upon the plains. Perhaps the excessive growth of certain glands is caused by the use of water from the snows, which causes a disorder resulting from the action of the particles of cosmic dust. So many useful observations are diffused around us, one must only stretch out one's hand!

Hierarchy (1931) - 200:
200. Thus, one should fulfill all that is preordained, applying an understanding of the best date. Thus, one should remember how greatly the design of grains of sand is changed under the stokes of different fingers. Even the fingers of one and the same hand produce different designs to one melody; still more diverse is the rhythm of different people, but a fiery heart perceives the subtle differences in rhythm. Straight-knowledge is the kindled fire of the heart. It is difficult to express in words when this string of the heart will resound, but Hierarchy can point out this hour of transfiguration.

Heart (1932) - 167:
167. When you place the point of a pendulum above a sandy surface in order to watch the cosmic vibrations, you will not push the needle by hand in order to forcibly accelerate its motion. Such forcing first of all would be stupid, because it would only produce a false indication - the same with the pendulum of the spirit, one cannot force its indications. The designs of the needle of the spirit are complex and only the striving of the heart can vitally and truthfully strengthen the indications of the pendulum. The Teaching of ancient Tibet speaks about the same pendulum of the spirit. Above the head of the tested one is placed a magnet; not only is the inner reflex noted but the magnet begins to swing, and the character of the movements is noticed as either abrupt or quivering; but they can also be circular, and this sign will be the most indicative of the correct condition of consciousness. Of course, this experiment is very lengthy and even a tormenting one, because it demands complete immobility, and you know how difficult this is to reach.

Fiery World - Book 2 (1934) - 183:
183. Much has been said about life in the Subtle World. The accounts often appear to be contradictory, but again let us take earthly examples. The diversity of earthly situations is astonishing, only undeveloped eyes are unable to distinguish great numbers of subtlest manifestations. When We speak about earthly situations, We usually have in mind only uniform groups, but We cannot enumerate the entire complex of volitional creativeness. Therefore Our definitions will depend upon the theme of the discourse, or upon the quality of the consciousness of Our listener. Likewise among the truest descriptions of the Subtle World there will always be found groups, corresponding most closely to Our designs. Thus, let us not criticize the diversified aspects of information about the Subtle World. If the earthly world is stately, then the Higher Worlds are progressively majestic and multiform.

Supermundane - The Inner Life - Book 1 (1938) - 53:
It is almost impossible to tell people how to create by thought. They do not believe that strings can resound in response to the currents of thought. They do not believe that dry pigment can be gathered into harmonious images under the pressure of thought. And yet, people do know about the designs created in sand by rhythm. They admire the designs made by frost, and are not surprised when strings resound to distant rhythms. But thought produces the most powerful rhythms, and with such vibrations one can create.

Supermundane - The Inner Life - Book 1 (1938) - 219:
219. Urusvati knows that the subtlest combinations are unrepeatable. Once the Thinker noticed that His listeners had not completely understood the concept of uniqueness. He took a large bronze mirror and covered it with an even layer of sand. Then He tapped out different rhythms at the edge of the mirror, causing the sand to fall into different designs. Afterward, the Thinker asked His disciples to repeat precisely the same rhythms and produce the same designs. Of course, no one could do it.

Supermundane - The Inner Life - Book 1 (1938) - 219:
The Thinker said, "Words do not always convince, but the simplest example can illustrate the generosity of nature. Nature is unrepeatable in its splendor. The Law is one, but its expressions are beyond counting. You could not repeat the designs for many reasons, but mainly because the cosmic conditions had already changed.

 


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