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Leaves of Morya's Garden - Book 1 - The Call (1924) - 345:
345. In ancient cults there always remained vestiges of ageless spiritual teachings. Even the old choral ring dance retained fundamental spirituality. In the center of the ring was placed the chosen one - most often a woman. Around her, in the ritual, circled the figures of the chorus. The chosen one in the center remained as if inert. And all the movements and invocations were directed toward her. And she took unto herself the true meaning of the circle's striving. Just so is it in the teaching of the Spirit. The disciple acquires the illumination of joy, and takes on the endless spiritual quests. He resigns himself to the ice of solitude. And then he must undergo the burden of being the center of the circle. As if alone, as if mute, As if without any help, He bears upon himself the burden of all. And thus in quietude, in the icy solitude, He awaits and readily accepts the onslaught of all appeals. Like the foundation of a building, he silently submits to being burdened. He multiplies his hands by ten; He magnifies his heart; His spiritual growth must be such that he can respond to all those turning to him; Yet he is not afraid. He knows that his time draws near. The knocking ones, the menacing and the oppressive ones, They must come; and he must meet them. And for a time he is surrounded by them, his exit barred. But the ordeal is not without end. For nearby is the possibility of the closest path. Such is the burden of being at the center. And good it is if friendly hands stretch out to one, If the chorus is imbued with good will. Fiery World - Book 2 (1934) - 205:
205. The word chorus is used to mean a consonance of voices, but there can be a chorus of energies, a chorus of hearts, a chorus of fires. The Teaching must turn your attention to the choral principle, which does not interfere at all with the individual principle. One should develop within oneself cooperation, in order to bring about a direct increase of possibilities. Thus, care about the choral principle is linked with constructiveness. People can understand that a chorus needs all kinds of participants. Only very experienced leaders understand why there have been needed participants who are not very active, yet who can bring in originality and harmony. The Teacher rejoices at each originality, in it is born a new aspect of Fire.
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